FEATURES
By Chris Kaltenbach | July 27, 2007
One should have reservations about No Reservations, a romantic comedy that does precious little with the considerable resources at its disposal. Those resources include a pair of actresses - the formidable Catherine Zeta-Jones, lovely and commanding as ever, and the effortlessly charming Abigail Breslin, fresh off last year's Oscar nomination for Little Miss Sunshine - who alone should make any movie worth the price of admission. That they don't isn't so much their fault as it is the people behind the camera, who are far too happy to follow well-trod cinematic paths when they could at least stretch the genre's boundaries.
FEATURES
By Mary Carole McCauley | May 30, 2007
Washington-- --The Mystery of the Time-Traveling Sleuth. Attractive, golden-tressed teenage actress Emma Roberts and her stalwart sidekick, first lady Laura Bush, were hot on the trail. They were seeking to uncover clues that explain the continuing appeal of the fictional teenage sleuth Nancy Drew. After all, the first book in the series was published in 1930 under the pseudonym Carolyn Keene, though about a dozen authors contributed manuscripts. Dozens of titles have been published, and hundreds of millions of copies have been sold worldwide, though a spokesman for Simon & Schuster couldn't provide specific figures.
FEATURES
By Chris Kaltenbach | February 2, 2007
If grating is what you are looking for, then by all means, don't miss Because I Said So. Watching this movie, with Diane Keaton cast as the ne plus ultra of irritating, overbearing mothers, is roughly the equivalent of listening to fingernails on a chalkboard for nearly two hours. With her skittishness and her near-constant state of fluster, Keaton as a comic actress can be wonderfully endearing, the sort of lovable ditz you can laugh with and desperately want to protect. But here, as a mother who can't bear the thought of her lovelorn daughter (Mandy Moore)
FEATURES
By Michael Sragow | May 4, 2007
Lucky You is good at introductions, but doesn't develop far enough beyond some spunky openers and cute come-ons. What's befuddling is that its smart and sensitive director, Curtis Hanson, the mastermind behind L.A. Confidential and Wonder Boys, is usually terrific on the follow-through. In Lucky You, Hanson swiftly fills us in on the Las Vegas scene but rarely connects us to the characters. Hanson shrewdly introduces us to Eric Bana's super-hustler Huck Cheever, a Vegas card shark having a bad run right before the 2003 World Series of Poker, as Huck manages to hock a digital camera to a pawnbroker (Phyllis Somerville)
FEATURES
By Michael Sragow | September 14, 2007
Jodie Foster, who earned an Oscar nomination 32 years ago for playing a child prostitute in Martin Scorsese's Taxi Driver, plays a more cultured character in The Brave One, an illegitimate heir to that incendiary mid-1970s masterpiece. Here she's a radio personality who reports poetically on the changing face of New York until her own face is beaten to a pulp. Then the whole thing turns into trash with flash. The Brave One (Warner Bros.) Starring Jodie Foster, Terrence Howard. Directed by Neil Jordan.
ENTERTAINMENT
By [Nielsen Media Research, Exhibitor Relations Co. and Billboard magazine] | July 26, 2007
TELEVISION 1.The Singing Bee, NBC 2.America's Got Talent, NBC 3.Law & Order: SVU, NBC 4.CSI, CBS 5.CSI: NY, CBS FILMS 1.I Now Pronounce You Chuck & Larry, Warner Bros. 2.Harry Potter and the Order of the Phoenix, Warner Bros. 3.Hairspray, Disney 4.Transformers, DreamWorks 5.Ratatouille, Disney SINGLES 1.Hey There Delilah, Plain White T's 2.Umbrella, Rihanna featuring Jay-Z 3.Big Girls Don't Cry (Personal), Fergie 4.Party Like a Rockstar, Shop Boyz 5.The Way I Are, Timbaland featuring Keri Hilson ALBUMS 1.T.I.
FEATURES
April 15, 1999
NEW YORK -- Even for a notorious control freak, the Artist Formerly Known as Prince is planning a pretty audacious challenge to his old record company.Unhappy at his failure to gain possession of the music he recorded for Warner Bros., the Artist says he will re-record the music -- all of it -- and sell it on his own.That's everything: "Purple Rain," "Little Red Corvette," "Raspberry Beret, "Kiss," the whole catalog. He recorded 17 albums for Warner, beginning in 1978 when he was seen as a teen-age prodigy and lasting until their nasty divorce five years ago, not including a greatest hits package.
ENTERTAINMENT
By CHRIS KALTENBACH | August 1, 1999
"The Blair Witch Project" is doing more than giving audiences the creeps. It's also heralding a whole new approach to marketing the movies -- over the Internet."We really did no TV advertising until this week," says Daniel Myrick, co-director of the film that's positioning itself to be one of the most successful independent films ever. "Ninety percent of the good word of mouth that's been generated about the film has been generated through the Web."Not that marketing movies over the Internet is something new; film studios have been creating Web sites for their new releases for years; Warner Bros.
FEATURES
By Barry Koltnow | July 7, 1999
After Barry Sonnenfeld read the script for the movie "Wild Wild West," he told Warner Bros. he was interested in directing the movie. But he had one condition, and it was non-negotiable.He wanted Will Smith, with whom he collaborated on the monster hit "Men in Black," to play the role of government agent Jim West.Someone at Warner Bros. pointed out that Smith was black and that Robert Conrad, who played West on the original TV series upon which the movie was based, was white. Or, as Sonnenfeld describes him, "very white."
FEATURES
By Chris Kaltenbach | December 23, 1999
Baltimore is in for a Christmas treat, as the coolest movie star ever gets himself a four-day tribute at the Charles beginning tomorrow night.I refer, of course, to Bugs Bunny, that wascally wabbit who's proved the most enduring star to ever come out of the Warner Bros. studio. True, Humphrey Bogart, the epitome of all things grand and glorious when it comes to movie stardom, also called Warner Bros. home. But, tell the truth: Which film would you rather see for the umpteenth time, "Casablanca" or "What's Opera, Doc?"