NEWS
By Michael Sragow | December 5, 2008
M ilk rests so exclusively - and solidly - on its performances, especially Sean Penn's marvelous characterization of Harvey Milk, that audiences won't realize how strong its mojo is until an assassin's bullets break the spell. It's not a great movie, but it is an enlivening and unusual one: an effervescent political film that also packs a knockout punch. As Milk, Penn provides the most embracing, democratic portrait of an American figure since Henry Fonda's young Abe Lincoln - and Fonda was playing Lincoln in his lawyer days.
NEWS
February 20, 2007
THE PROBLEM -- A sign hanging from a construction fence at the site of the new Hilton Baltimore Convention Center Hotel seems to encourage motorists driving south on Eutaw Street to take a right onto Pratt Street. That would put them going the wrong way on the one-way street. THE BACKSTORY -- Eutaw Street is "open for business" as contractors say on a sign, an attempt to remind people that they can still shop even if a large swath of property is closed north of Camden Yards to make way for the city's new publicly financed hotel.
NEWS
By Scott Calvert | June 9, 2004
The Zenith luxury apartment tower seems likely to rise in downtown Baltimore now that a large union-backed real estate fund has agreed to put up most of the $37 million cost. "It's going to get the project built," said M.J. "Jay" Brodie, president of Baltimore Development Corp., the city economic development agency. The nationwide Multi-Employer Property Trust - with $3.7 billion in assets - will become the majority owner of the 23-story building, long planned for a prime spot near Oriole Park at Camden Yards, according to the BDC. The city's Board of Estimates is expected today to ratify the addition of MEPT to a team initially led by Legacy Harrison Enterprises, a minority-owned Baltimore firm that has received city assistance on the project.
NEWS
By Michael Sragow | December 5, 2003
Gus Van Sant titled his new movie about a Portland high school that becomes host to a Columbine-like atrocity Elephant, in homage to the late British director Alan Clarke's movie about Northern Ireland, also called Elephant. Clarke got the name from the idea of people talking around the elephant in the room - the great big thing you can't discuss. But Van Sant was also thinking of the parable of the blind men and the elephant, in which six sightless wise men are asked to describe an elephant, and, putting their hands on different portions of the beast, say it's like a wall, a rope, a snake, and so on. The parable sums up the futility of finding the truth in any one man's observations.
NEWS
By Susan Reimer | December 2, 2003
THE NEW movie Elephant takes its name from the parable of the five blind men who come upon the giant pachyderm from different angles; each decides that it is something different depending on which part of the animal he is touching. The elephant in this movie is teen-age violence, specifically the murders at Columbine High School in April 1999. Director Gus Van Sant records a fictional day in a high school from the vantage point of a handful of students, including the two who will murder their classmates, and asks us to decide what he is touching.
NEWS
October 12, 2003
On October 9, 2003 BETTY M. VAN SANT (nee Hand); beloved wife of Paul K. Van Sant, Sr.; devoted mother of Irene E., Robert D., J. Timothy and the late Paul K. Van Sant, Jr.; dear sister of Robert L. and the late Herbert J. Hand, Jr.; loving grandmother of Christianne, Nicholas, Kaitlin, Andrew, Alexandra, Zachary, Matthew, Natalie and Kieran. Vigil Service will be held at the family owned RUCK TOWSON FUNERAL HOME, INC., 1050 York Rd., (beltway Exit 26A) on Sunday at 7 P.M. A Funeral Mass will be celebrated in St. Ursula's Church on Monday at 9 A.M. Interment Dulaney Valley Memorial Gardens.
NEWS
By Ron Dicker | May 28, 2003
CANNES, France - Even Clint Eastwood had to shop around his latest movie, Mystic River, which earned a 15-minute ovation at its premiere at the recent Cannes Film Festival. One studio executive, for example, obsessed over a hand gesture that Kevin Bacon's Boston cop makes to a childhood friend, played by Sean Penn. Eastwood, who directed the film, eventually found partners in Warner Bros. and Village Roadshow. The $16 million drama about the shockwave effects of childhood trauma did not win any awards here, but it is poised to be an important release this fall.
NEWS
By Gerard Shields | February 13, 2002
A 28-year-old Cockeysville woman was killed in a freak accident early yesterday when a would-be thief sent an empty Jeep Wrangler careering down an embankment and crashing through the wall of the bedroom where she was sleeping. The victim, Melanie Judith Wentz, was public relations manager for the Baltimore Zoo. Baltimore County police said someone intentionally put the Jeep in neutral about 2 a.m. and pushed it from a parking lot down the grassy embankment. The vehicle smashed through the wall of Wentz's first-floor unit at Century Apartments in the 300 block of Limestone Valley Drive.
NEWS
By Cheryl Lu-Lien Tan | December 25, 2000
If director Gus Van Sant isn't careful, audiences might start thinking he has permanently crossed over into the cushy mainstream of commercial success. Van Sant made his name with such edgy, indie gems as "Drugstore Cowboy" and "My Own Private Idaho." But in "Finding Forrester," he has produced a compelling film that probably will be as popular with audiences, critics and those folks who hand out statuettes as his Academy-Award winning "Good Will Hunting." In fact, there's already early Oscar buzz for Van Sant and "Forrester" co-stars Sean Connery and Rob Brown.
NEWS
By Ann Hornaday | December 5, 1998
Does the world need another "Psycho"? Probably not, but an extra one doesn't hurt.In one of this year's most talked-about cinematic experiments, underground-to-indie-to-mainstream director Gus Van Sant has orchestrated a shot-by-shot re-creation of Alfred Hitchcock's horror classic.With a young, fresh cast and an equally vibrant look, the new "Psycho" will no doubt prove groundbreaking to teen-agers who think this stuff started with "Scream." Hitchcock buffs with absolutely nothing better to do than to satisfy their curiosity won't be offended by Van Sant's tribute to the master, which has been given added verve by cinematographer Christopher Doyle's vivid photography.