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By Ann Hornaday | July 16, 1999
"Eyes Wide Shut," the final film of director Stanley Kubrick, presents the late filmmaker's admirers with a tantalizing but ultimately confounding coda to one of the most formidable bodies of work in the cinema.The psychological portrait of a marriage at a pivotal moment, "Eyes Wide Shut" raises some fascinating questions about commitment, intimacy, sexuality and the power of imagination in relationships. And Kubrick's last gasp, which was bound to be a haunting final statement, will surely leave filmgoers with a lingering sense of the mysteries that abound in every emotional transaction.
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By Janet Weeks | January 24, 1997
In further solidification of 1996 as the year of the independent film, the lion's share of Screen Actor Guild Award nominations announced yesterday went to performers in small pictures made outside the major studios.Nods went to the casts of "The English Patient," "Marvin's Room," "Shine," "Sling Blade" and "The Birdcage" and to many of the actors who starred in those films. Of the eight films given multiple nominations, only two ("The Birdcage" and "Jerry Maguire") were the products of major studios (MGM/UA and Columbia/TriStar, respectively)
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By Ellen Gamerman | July 31, 1997
WASHINGTON -- The agent for hot country-western star LeAnn Rimes was busy promoting his client to celebrity networker Alma Viator when the conversation turned to the young singer's favorite causes. The teen, he confided, plans to take a public position on children.Let it be known: She intends to support them.Viator came all the way to Nashville to hear something like this. A Washington matchmaker who links celebrities with charity work, took Viator no time to imagine the perfect campaign.
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By David Kronke | May 22, 1996
If this movie star thing ever peters out on him, Tom Cruise just might have a promising career as a stuntman. Cruise, who dabbled in race driving for a while and enjoys the odd act of aerial derring-do in his own plane, is the kind of thrill junkie who finds putting life and/or limb on the line for a "cool" (his word) shot "fun" (see previous parenthetical comment).His latest vehicle, "Mission: Impossible," a high-tech, $64-million updating of the cloak-and-dagger CBS-TV series, gave him plenty of opportunity.
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By Stephen Hunter | December 13, 1996
Here's another way they get you. Oh, it's clever. It's really clever. You watch, yeah, you watch and this'll happen."Honey, honey, look. There's a new sports movie out. Tom Cruise is in it. It's called 'Jerry Maguire.' It's about football. Oh, honey, you'll just love it."And, you think, Yeah, great, a sports movie. Tom Cruise, the guy in "Top Gun." Cool. Let's go.See, it's already out on the chick network. They already know what's going on. They have very good intelligence, I'll say that.
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By Stephen Hunter | May 22, 1996
"Mission: Impossible" is the movie unlikable.A shame, particularly for aging boomers who remember the original show with affection. Diverging from the capers that were the heart of that legendary series, the new Brian De Palma and Tom Cruise collaboration is long on meaningless spectacle, short on charm, wit and -- most of all -- sense.In fact, it's as if director De Palma and star-producer Cruise don't really understand the core appeal of the series; they just like the music. They all too quickly abandon its format: In this permutation, the CIA's crack IMF team, specialists in cowboy operations and clever subterfuges, is wiped out in the first several minutes, indicating the presence of a traitor in CIA hierarchy.
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By Mary Corey | February 13, 1995
The question before Channel 13's Dave Ricklin is this:Once you've reported on zit horror stories, dressed up like a member of "The Love Boat," and swiped a handful of jelly beans on the air, what do you do for an encore?To him, the answer seems obvious. With Valentine's Day near, you go to Loyola College, troll for tales of first kisses, and, when all else fails, engineer a peck on the cheek between two students who are complete strangers.This is Dave's World, and welcome to it.As WJZ-TV's new twentysomething reporter, he's bringing Jiffy Lube-style journalism to the 5 o'clock news, playing a smart-aleck and stand-up comedian during his Monday segments.
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By New York Times News Service | May 20, 1995
For filmmakers contemplating gorgeous Prague in the Czech Republic as a location, the message from Tom Cruise is: Don't bother.Mr. Cruise, on his first outing as a producer -- a movie version of "Mission Impossible," in which he stars -- recently ended three weeks of shooting in Prague believing he'd been unfairly overcharged for a location site. "At one point we were told, 'If you don't sign the papers by 4 p.m., you don't get the locale,' " said Katherine Orloff, the movie's publicity agent.
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By Matthew Gilbert | October 30, 1994
One of the best regular features in Premiere is Libby Gelman-Waxner's film column, "If You Ask Me," in which Cher's tattoos and Daniel Day-Lewis' buns are far more relevant than Martin Scorsese's vision or Robert Altman's cultural criticism.Ms. Gelman-Waxner, a cosmetically enhanced and militantly superficial New Yorker, submits to an interview with play- and screen-writer Paul Rudnick in New York for Oct. 31, and the result is a big giggle.Ms. Gelman-Waxner, who says her readers are "people from all walks of life and all dosages of Zoloft," states her credo: "I join with Naomi Wolf and Erica Jong and Shari Lewis in saying yes, I am a woman.
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By Anita M. Busch | May 6, 1994
"Interview With the Vampire" author Anne Rice shot a letter off to People Weekly on Tuesday taking issue with a short magazine article on Tom Cruise and advising the magazine not to be "so eager to whore for [Pat] Kingsley or Cruise" by writing "idiotic trash" from the publicity machine run by Pat Kingsley.The May 9 People article says Ms. Rice didn't want Tom Cruise to play the Vampire Lestat because she wanted "a less clean-cut lead."Ms. Rice wrote, "Did Pat Kingsley dictate it to you, or are you really that stupid?"