ENTERTAINMENT
By Kenneth Turan and Tribune Newspapers | January 22, 2010
The Sundance Film Festival, which set up shop in Park City, Utah, this week, is more than a festival: It's a delicate balancing act. This is an institution that walks the line between two competing notions of what a celebration of cinema should be, straddling as best it can a gap that is especially evident this year. What Sundance is eternally caught between is the Scylla and Charybdis of commerce and art. Its proximity to Hollywood and its success at premiering audience-friendly independent films (for instance, last year's "An Education" and "Precious")
NEWS
By Justin Fenton and Justin Fenton,justin.fenton@baltsun.com | September 8, 2009
For five seasons, Sonja Sohn played Detective Kima Greggs on HBO's "The Wire," the gritty Baltimore crime drama. It was a breakthrough role for Sohn, who came from a troubled upbringing in Virginia and went from poet to actress. But on a recent weeknight, Sohn was not on a Hollywood film set. She was at the University of Maryland School of Social Work, speaking on a cell phone to the facilitator of a GED program, trying to figure out why 21-year-old Sean Hawkins hasn't been attending. She sat Hawkins down and crouched at his feet.
NEWS
By Ellen McCarthy and Ellen McCarthy,The Washington Post | April 24, 2009
On a recent day, Emma Roberts is waiting for those fateful college admission letters to come in. It's spring, so they should be arriving any day now. And it's all very exciting and unnerving, but at least for the moment she has a press junket to provide merciful distraction. Instead of waiting at the mailbox, Roberts can spend the day talking about Lymelife, the melancholy independent film she made with Alec Baldwin, Cynthia Nixon and a couple of the Culkin brothers. And she can chat about how she doesn't want to be stuck in a pop-princess Nickelodeon box the rest of her life but also still loves those roles and loves the legions of little girls who love her. She is 18 and, like anyone reaching adulthood, eager to move forward, but loath to release the sweetest vestiges of her past.
NEWS
By Kathleen Parker | January 26, 2007
Critiquing American culture is tricky for people in the family newspaper business, especially this week as two controversial movies open at the Sundance Film Festival in Park City, Utah. I shall try to be discreet. One film, Hounddog, starring 12-year-old Dakota Fanning, involves the rape of a child. The other, Zoo, concerns - how to put it - an "equine brothel" wherein certain activities lead to a curious death. Zoo is based on a real-life incident in Enumclaw, Wash., in 2005, and stars - oh, who cares?
ENTERTAINMENT
By Sloane Brown and Sloane Brown,SPECIAL TO THE SUN | January 27, 2005
Oh, what you missed, when Baltimore's "bad boy" filmmaker John Waters sat down for a chat with students at Baltimore School for the Arts! Waters was this year's guest as the Colgate Salsbury Visiting Artist series celebrated its fifth anniversary. And he proved, once again, he is as entertaining as his movies. A sampling of the Waters' wisdom that day: "It helps to be what you make fun of." "Why would you watch reality television when you've got Baltimore?" "Baltimore is a town where everyone thinks they're normal, but they're totally insane.
ENTERTAINMENT
By CHICAGO TRIBUNE | January 23, 2005
Just which film (or films) may be a breakout hit from the 2005 Sundance Film Festival, now under way in Utah, remains to be seen. But the 2004 festival turned out to be a commercial, if not necessarily artistic, breakthrough. The highest grossing film of the 2003 fest was The Cooler at $8.3 million. Six 2004 films dwarfed that mark. Here's how several of last year's notable Sundance films fared (in gross box office receipts for North America): Saw: Lions Gate scored a whopping $55 million with James Wan's low-budget horror film and is preparing a sequel.