ENTERTAINMENT
By Wesley Case, The Baltimore Sun | January 15, 2013
After hyping it up on Twitter for the past week, rising Baltimore rapper Starrz debuted his new video, as promised, late last night. The clip is for the more-serious "American Nightmare" track from last year's "Best Mixtape Ever" project. The video, which features Baltimore R&B singer Paula Campbell , was shot last week in West Baltimore at ConneXions School for the Arts (2801 N. Dukeland St.) and directed by Todd "Wiz" Dorsey . "American Nightmare," which was produced by J. Oliver , finds Starrz is in storyteller mode, making this track immediately stand out from his well-received mixtape.
ENTERTAINMENT
By Chris Kaltenbach, The Baltimore Sun | November 29, 2012
"I Used to be Darker," the latest movie from Baltimore's Matt Porterfield, will be shown at January's Sundance Film Festival, organizers announced Wednesday. "I was in a bit of a state of shock," said Porterfield, who was on a return bus trip from New York when he got the news. "I'm ecstatic. " The movie, Porterfield's third feature as a writer-director, tells the story of a runaway from Northern Ireland who moves in with her aunt and uncle in Baltimore, and the family crises that ensue.
ENTERTAINMENT
By Chris Kaltenbach, The Baltimore Sun | November 2, 2012
It's hard to figure which primal fear Barry Levinson doesn't tap into with "The Bay," a horror-thriller in which, it turns out, the problems in the Chesapeake go much deeper than a declining oyster harvest and too much shoreline development. Of course, there's fear of the unknown, a staple of horror stories since caveman days. But in Levinson's skilled hands, "The Bay" also evokes the fear of science run amok, of nature unbridled (not to mention ticked off), of government censorship, of disease, of unstoppable forces, of darkness, of technology unchecked.
NEWS
By David Zurawik and The Baltimore Sun | October 30, 2012
After 14 hours of watching Sandy storm coverage, I am convinced that no one deserves more praise than the reporters and camerapersons on the ground in places like Ocean City. I know in these snarky, all-you-need-is-irony, postmodern times, lots of folks, including some journalists who should know better, like to make fun of TV reporters standing in high winds and driving rain or snow to report on a storm. I could not disagree more. The image of a correspondent being pounded by the elements is as crystal-clear an objective correlative for the core role of journalism as I can imagine.
NEWS
By Frederick N. Rasmussen, The Baltimore Sun | October 17, 2012
Belinda G. Galbreath, a retired Baltimore County librarian who was an accomplished storyteller, died Sunday of complications from diabetes at Upper Chesapeake Medical Center in Bel Air. The lifelong Street resident was 59. The daughter of dairy farmers, Belinda Grace Galbreath was born in Baltimore and raised on the family farm in Street. After graduating from North Harford High School in 1970, she earned a bachelor's degree in library science in 1975 from the University of Maryland, College Park.
NEWS
Lionel Foster | September 27, 2012
Last week I wrote about the death of Urbanite magazine from my perspective as a former employee. I soon discovered I was not alone in my sadness. As news of the publication's demise continued to spread, others, like me, seemed to be mourning the loss of not something but someone. A daily paper like The Sun reflects the efforts of professionals to present a city or town as it is. This is important work. But with its fiction contests, personal essay-writing workshops and long-form journalism, Urbanite facilitated something different, a collective meditation on what Baltimore could become.