NEWS
March 11, 2009
Were William Shakespeare, the most famous English writer, to reappear on the streets today, chances are no one would have a clue who he was. That's because, 400 years after his death, our impressions of what the Bard really looked like remain wedded to a few images created years after his death, in an outmoded style that makes it hard to even imagine the author of the great comedies and tragedies as a flesh-and-blood human being. So this week's unveiling, in London, of a hitherto unknown portrait of Shakespeare - painted during his lifetime, then squirreled away for centuries in the private collection of an aristocratic family who had no idea what they had - comes as a revelation.
NEWS
By Tim Smith | July 26, 2008
In a year that saw a woman get remarkably close to a presidential nomination and a realistic chance at reaching the White House, it may be harder than usual to swallow the notion, expressed in the closing moments of Shakespeare's The Taming of the Shrew, that the female sex shouldn't "seek for rule, supremacy and sway, when they are bound to serve, love and obey." But there has long been a way to deal with viewpoints in this play that now give offense to our gender-respecting souls - rev up the farcical side.
NEWS
By William Hyder | June 13, 2008
An ancient Roman playwright named Plautus had a great idea for a comedy: A pair of twins are separated as infants. One twin, now grown, travels to a place where, unknown to him, he has a brother. Complications arise when the two are mistaken for one another. Many centuries later, the idea still seemed funny to Shakespeare, so he borrowed it for a play of his own. To "make assurance double sure," as Macbeth once said, he created another pair of twins, also separated at a young age and now working as servants to the first pair.
NEWS
By Victoria A. Brownworth and Ishita Singh | June 10, 2008
School is almost out and that means one thing: It's time for summer reading lists. But this year, students who dread the idea of plodding through Shakespearean verse to learn the tales of star-crossed lovers and ruthless rulers can take heart. Wiley Publishers, famous (or infamous) for its Cliffs Notes study guides, has come out with Shakespeare in manga. So far, Haml et, Julius Caesar, Romeo and Juliet and Macbeth are available in the graphic novel style spawned in Japan and given full flower in the U.K. and U.S. Rated for ages 13 and older and priced at a mere $9.99, these abridged versions of the best-known plays in the English language are now vividly depicted in classic action-packed manga style: a kind of Saturday morning cartoon version of Shakespeare.
NEWS
By Courtney Pomeroy | June 1, 2008
Ian Gallanar has spent his career trying to make the theater a more exciting experience for a wide array of audiences. More than a decade ago he conceived, wrote and directed Where in the World Is Carmen Sandiego Live!, one of about a dozen plays he's written for kids. With help from the truthful nature of children, he says those plays have taught him what an audience really wants in a performance. As artistic director of the Chesapeake Shakespeare Company, he will put this knowledge to good use on Friday by leading the cast of The Comedy of Errors into its first performance of the summer.
NEWS
By Mary Carole McCauley | April 9, 2008
The Winter's Tale may be the only work by the Bard that focuses on the travails and hard-won joys of an enduring marriage. In more than a dozen other plays, from Romeo and Juliet to Measure for Measure, Shakespeare brilliantly examines the dynamics of erotic longing. But only in this work does he explore the frozen silences that can afflict a long relationship, the arguments as unwinnable as they are bitter. When the hostilities die down and love returns, it can seem more miraculous than the first flush of passion.
NEWS
By Frederick N. Rasmussen | February 19, 2008
Robert Eugene Williams Jr., a retired Baltimore Civil Defense worker, died of cancer Thursday at his Stoneleigh home. He was 81. Mr. Williams was born and raised in Waverly and was a 1944 graduate of Polytechnic Institute. After serving in the Navy near the end of World War II, he went to work for the city water department before enrolling at Washington College. In 1947, he went to work as an engineering officer for the city's Civil Defense Disaster Control Board. He retired in 1990.
NEWS
By Nelson Pressley | November 13, 2007
Shakespeare treated with respect, love Shakespeare is serious business, or so it seems to Everyman Theatre. The troupe has waited 17 years for its maiden fling with the Bard, and the jitters only show a little in the company's lively, often moving Much Ado About Nothing. Most of the rough patches come right out of the gate, with director Vincent M. Lancisi's cast acting at full volume and making the language seem like heavy lifting. Luckily, the large company soon eases into the warm Mediterranean setting and the pointed badinage, especially when Deborah Hazlett's appealing, unusually wise Beatrice starts aiming barbs at Jim Jack's Benedick.
NEWS
By [AARON CHESTER] | November 8, 2007
The lowdown -- Dive into the unknown as Theatre Project presents Hystery of Heat and Spoleum, two plays about death and the fear of dying, tonight-Nov. 17. Hystery of Heat is structured as a lecture and covers the topics of heat, death, love and dance. Spoleum, a one-act play, is about memory and the architecture of Venice. If you go -- This double bill will be performed at 8 p.m. tonight-Saturday and 3 p.m. Sunday. Theatre Project is at 45 W. Preston St. Tickets are $20 general admission, $15 for seniors and $10 for students.
NEWS
By Arin Gencer | November 5, 2007
Yesterday, William Shakespeare slipped into Jessup's Patuxent Institution. The Bard made his way through the security gate, then traveled down several long halls of the red-brick, maximum-security prison, before stepping inside the cinderblock walls of a gym that would serve as a temporary Globe Theatre. One of his most notorious characters trudged in behind him: Macbeth. Patuxent inmates and their guests spent yesterday afternoon watching the schemes of the ambitious, murderous Scottish lord -- many for the first time -- as performed by the Ellicott City-based Chesapeake Shakespeare Company.