FEATURES
By Leah Komaiko | January 13, 1999
"To me all words are like music. They have a sound and a rhythm and a beat. They move and breathe like the people and places they describe. They are not just flat sticks on a page. If it weren't for the rhythm in the words, I don't think I would have learned how to read. Or, as someone put it better, "It don't mean a thing if it ain't got that swing.'"-- Leah Komaiko, author of "Annie Bananie" Pub Date: 01/13/99
NEWS
By Fred Rasmussen and Fred Rasmussen,SUN STAFF | April 26, 1996
Gary Leslie Langston Sr., whose talent as a guitarist and rhythm and blues singer took him from the street corners of Baltimore to the plush clubs and lounges of Atlantic City, N.J., died Monday of a heart attack at his Absecon, N.J., residence. He was 45.Known as "Boo," he appeared with his band Cheers on April 19 at the EastportClipper in Annapolis.Living in Towson in the 1970s and 1980s, he performed with local bands, including Both Worlds and Then and Now. He often appeared at Warfield's in the Towson Sheraton Hotel and at clubs and hotels in Ocean City.
FEATURES
By Tom Moon and Tom Moon,Knight-Ridder | October 16, 1990
NEW YORK -- Ethno-musicologists will recognize the cadences of Brazilian tribal drumming.Fans of Afropop will identify the shimmering, interlocking lines of the West African guitarists.And those who pay attention to lyrics will appreciate the terse phrases, the sudden shifts of perspective, the rhythmic rightness of the lines.But none of them will be able to call "The Rhythm of the Saints," Paul Simon's long-awaited new album being released today, exclusively their own.For a poet and a one-man band whose aural palette now includes pan pipes, talking drums and other elements of world music, this represents something of a victory.
FEATURES
By J. D. Considine and J. D. Considine,Pop Music Critic | October 19, 1993
Let's get one thing straight from the beginning: There's more to Pearl Jam than Eddie Vedder.Granted, the singer is the most identifiable and charismatic member of the group. It's his energy and stage presence that fans talk about after seeing the band live, his good looks and tortured sincerity that set hearts aflutter after MTV started showing the "Jeremy" video. And when people complain that Stone Temple Pilots is just a Pearl Jam rip-off, it's mainly because STP frontman Welland's singing seems such a dead cop of Vedder's vocal style.
FEATURES
By Roger Catlin and Roger Catlin,The Hartford Courant | March 7, 1991
WHILE 5 INCHES of snow blows coldly through the streets of Minneapolis, the 17-piece band on the stage of the new Target Center arena burns through polyrhythms of a more tropical clime.Amid an aggregation of musicians from Brazil and several different African countries, a Los Angeles-based gospel trio and sax man Michael Brecker, Paul Simon turns and directs the big band as its conductor and diminutive leader, swinging with the beat.Like his record-breaking "Graceland" tour, which grew from an introduction to African sounds to what Simon calls "one groove after another," the new tour, which comes to the Baltimore Arena Tuesday and the Capital Centre in Landover Wednesday, has also become "more and more rhythmical."
SPORTS
By Brent Jones and Brent Jones,SUN STAFF | December 9, 1999
For the first half of the final period, when the Richmond Rhythm was held scoreless, blew what was left of a 20-point lead, and looked on the verge of going 0-6, the BayRunners seemed like they had overcome the loss of forward Rodney Elliott.But down three with 38 seconds left, Rhythm guard A. J. English made a three-pointer that tied the score at 97 and sent it into an overtime that netted the BayRunners a 117-108 loss in front of 2,002 at the Baltimore Arena last night.The Rhythm outscored Baltimore 20-11 in overtime, which highlighted the loss of Elliott, who went down with an ankle injury on the game's opening tip-off.