FEATURES
By Tim Smith and Tim Smith,SUN MUSIC CRITIC | February 15, 2005
Long before the French developed a distaste for American influences on their culture, they took a dim view of things German. Starting early in the 19th century, composers revealed a particular penchant for breaking away from rules of harmony and expectations about melody or structure, as codified by Bach and his artistic descendants. No note of Berlioz or Debussy could ever be thought of as Germanic. In another winning program of the Shriver Hall Concert Series, which is having a remarkably strong season, two French ensembles shared the stage Sunday evening to celebrate this wonderfully stubborn streak of national pride.
NEWS
By Phil Greenfield and Phil Greenfield,SPECIAL TO THE SUN | October 23, 2003
Music lovers with a bit of mileage on them remember the Orchestre de la Suisse Romande fondly from the palmy days of the "Long Playing Record" (LP) when, under the baton of its founding conductor Ernest Ansermet, the Swiss orchestra made numerous recordings for London Records. Still based in Geneva, the orchestra maintains a lower international profile these days. But, as was demonstrated Tuesday night at the Naval Academy's Alumni Hall, the Suisse Romande remains a formidable ensemble under the baton of its chief conductor and artistic director, Pinchas Steinberg.
FEATURES
By Tim Smith and Tim Smith,SUN MUSIC CRITIC | February 6, 2003
Most of us, when we contemplate a beautiful work of art, are content to leave it at that - contemplation. Others, like the art students you see with their easels in museums, try to re-create the object, not just for educational and training benefits, but as a way to experience something of the original artist's creative process. Then there are those who go one step further and put themselves deeply into the work, use it as a starting point for fashioning a new artistic creation. Composer Steven Burke did this in a recent piece called Altars, which pays homage to well-known piano trios by Beethoven, Schubert and Ravel by incorporating themes from each.
FEATURES
By Tim Smith and Tim Smith,SUN MUSIC CRITIC | July 14, 2000
The devil, in various guises, cavorted through the Baltimore Symphony Orchestra's Summer MusicFest program Wednesday evening at Meyerhoff Hall, providing a helluva good time. There was Mephistopheles, stirring up hormones in Liszt's Mephisto Waltz. And Paganini, the violinist/composer whose ability to zip through fiendishly difficult music had people convinced he had sold his soul to Beelzebub. And Till Eulenspiegel, the devilish prankster from the Middle Ages immortalized in a Richard Strauss tone poem.
FEATURES
By J.D. Considine and J.D. Considine,SUN MUSIC CRITIC | April 22, 2000
Baltimore is not the only city outside Russia to enjoy having Yuri Temirkanov regularly conduct the hometown orchestra. Listeners in Copenhagen, Denmark, got their dose of Yuri-mania a year earlier than Baltimoreans, as Temirkanov assumed the position of principal guest conductor of the Danish National Radio Symphony Orchestra in 1998. His arrival there was greeted with the same sort of critical huzzahs that followed Temirkanov's debut as the Baltimore Symphony Orchestra's music director in January.
NEWS
By Phil Greenfield and Phil Greenfield,SPECIAL TO THE SUN | March 2, 2000
Two gifted young musicians from the Howard County public school system will take center stage at the Smith Theatre at 2 p.m. Sunday when the Columbia Orchestra presents a program of music by Beethoven, Prokofiev, Ravel and Frank Martin. Flutist Martha Cargo and violinist Xinzi Liu are this year's winners of the annual Young Artist Competition sponsored by the orchestra. The pair of accomplished young musicians was chosen from a field of 23 applicants after submitting to a preliminary audition and performing a solo recital.