NEWS
By CHRIS KALTENBACH | September 2, 2008
DVDS Starring Pierce Brosnan, Chris Cooper, Rachel McAdams, Patricia Clarkson - Directed by Ira Sachs - Sony Pictures - $28.96, $38.96 Blu-ray Tired of being married to his noble but unexciting (at least to him) wife, Pat (Patricia Clarkson), businessman Harry Allen (Chris Cooper) decides the only honorable thing to do is kill her - especially since naive young Kay (Rachel McAdams) is ready to pick up the slack. Only problem is, his best friend, Richard (Pierce Brosnan), also has a thing for Kay - and isn't sure Pat deserves to end up dead.
FEATURES
By Michael Sragow and Michael Sragow,SUN MOVIE CRITIC | April 30, 2004
Stumbling over a rival's legal files and stuffing her face with junk food, Julianne Moore succumbs to routine Hollywood caricature of the sexually repressed professional woman in Laws of Attraction. This attempt at a battle-of-the-sexes courtroom romance pits Moore's legendary divorce attorney Audrey Woods against a rumpled, equally unstoppable male divorce attorney, Daniel Rafferty (Pierce Brosnan). The model may be Adam's Rib, but in that entertaining, sophisticated Tracy-Hepburn vehicle, the principals were already married, their strengths and weaknesses well-matched.
FEATURES
August 18, 2005
In the news Pierce Brosnan's license to kill is revoked A single, surprising phone call and it was over. That's how Pierce Brosnan says he learned that his services as James Bond would no longer be required. "One phone call, that's all it took!" the 52-year-old actor tells Entertainment Weekly magazine in its Aug. 19 issue. "You know, the movie career for me really started with Bond," says Brosnan, acknowledging that by the time GoldenEye premiered in 1995, he was already 42. He then starred as 007 in Tomorrow Never Dies (1997)
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By Chris Kaltenbach and Chris Kaltenbach,SUN MOVIE CRITIC | December 25, 2002
There's way too much blarney in Evelyn, a treacly father's-rights diatribe that will leave you feeling as though every heartstring has been tugged 20 times over by the time the final credits roll. What makes the movie's failure to tone down the cheap sentiment even more egregious is that it's based on a true story, an Irish court case from 1953 that essentially gave single parents the right to keep their children and not have them end up in a Catholic orphanage far from home. The law that separated children from their parents was a moral outrage, and the trial that brought it down must have been a corker.
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By Stephen Hunter and Stephen Hunter,Film Critic | March 7, 1992
"Virtual reality" is state-of-the-art hyper-reality as induced either by the most sophisticated of computers or the mostadolescent of imaginations. Now comes "The Lawnmower Man," the first feature movie to make extensive use of the former but, alas, not the first movie to make extensive use of the latter.The former, in fact, is quite the best thing in the film, and perhaps worth the price of admission. As a visual adventure, "The Lawnmower Man" is great fun: We get to bodysurf through some kind of cosmic mulching machine which tries to grind us to atoms with great, gnashing iron pyramids (it's like be swallowed by a killer whale the size of the Hindenburg)
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By Steve McKerrow | April 23, 1991
JUST WONDERING:* Whatever happened to actress Stephanie Zimbalist, who sparkled for several seasons as a smart private eye (with Pierce Brosnan) in the series "Remington Steele?"Well, one of her post-series activities surfaces tonight on cable's Lifetime network. She's starring in "The Killing Mind," a new movie in which she plays a detective again (at 9 p.m. on the basic cable service). But this time she's on the Los Angeles police force and specializes in psychological analysis to solve crimes.