NEWS
By Sarah Fisher | August 30, 2009
History is often a word that people associate with textbooks and professors speaking in monotones. But with the Naval Academy Museum's complete renovation and redesign, the history of the U.S. Navy has become something real and vibrant to academy visitors and midshipmen. The museum reopened two weeks ago after undergoing an $11.6 million head-to-toe makeover. "We completely gutted this building," said Scott Harmon, the museum director. The only things left standing at one point, he said, were "the outside walls and the concrete floors."
NEWS
By Sarah Fisher | August 30, 2009
History is often a word that people associate with textbooks and professors speaking in monotones. But with the Naval Academy Museum's complete renovation and redesign, the history of the Navy has become something real and vibrant to academy visitors and midshipmen. The museum reopened two weeks ago after undergoing an $11.6 million head-to-toe makeover. "We completely gutted this building," said Scott Harmon, the museum director. The only things left standing at one point, he said, were "the outside walls and the concrete floors."
NEWS
May 22, 2007
JOHN A.H. SWEENEY, 77 Winterthur Museum curator Mr. Sweeney, curator emeritus and former assistant to the director of Winterthur Museum and Country Estate, died Thursday in Wilmington, Del., according to his sister-in-law. Mr. Sweeney helped turn Henry Francis du Pont's collection of American decorative arts into a world-class museum exhibit, said Leslie Greene Bowman, museum director and chief executive officer. Mr. Sweeney attended Yale University, continued his education in the Winterthur Program in Early American Culture and joined the museum staff as assistant curator after graduation in 1954.
NEWS
By JAMIE STIEHM | February 26, 2006
Downstairs in the new space at the Banneker-Douglass Museum in Annapolis, Janice Hayes Williams, a 48-year-old local historian, said an exhibit on cultural artifacts made her feel oddly at home. "William Henry Hebron, that's my great-grandfather," Williams said, pointing to a name listed in the Annapolis Underground exhibit, which features artifacts of African-American family life dug up from the very block where the museum stands at 84 Franklin St. "He was a fish merchant, half-black and half-Jewish."
NEWS
By CHRIS KALTENBACH | February 10, 2006
Sandy Bellamy, executive director of Baltimore's seven-month-old Reginald F. Lewis Museum of Maryland African American History and Culture, is leaving next month to become a partner in a private business venture. "It's just been totally fulfilling," she said yesterday of her stint as head of the $34 million museum, which opened with great fanfare in June at Pratt and President streets. "We've had wonderful people who have literally entrusted us with their lives' treasures, with financial contributions, with their labor."
NEWS
By Glenn McNatt | July 29, 2005
The Contemporary Museum director who helped revive the once-ailing institution and enhance its profile as a venue for cutting-edge art in Baltimore is leaving to become director of the art museum at Purchase College in Purchase, N.Y. Thom Collins, a former assistant curator of photography at New York's Museum of Modern Art and a senior curator at the Contemporary Art Center in Cincinnati, was hired as the Contemporary's director in November 2003....
NEWS
By William Wan | November 14, 2004
Watching thousands of visitors streaming through the doors, Courtney Wilson said he felt like a proud father. He looked up and admired his "baby," the 120-year-old roundhouse building and home to the Baltimore & Ohio Railroad Museum, which was badly damaged in a huge snowstorm last year. "I can't believe we almost lost all of this," the museum director said quietly, as visitors milled around where, in February 2003, debris and broken iron girders from the collapsed roof lay. After months of repairs, the museum at 901 W. Pratt St. reopened its doors yesterday.
NEWS
By Glenn McNatt | August 14, 2004
Atreasure trove of more than 2,000 works by the late American painter Clyfford Still that has been stored unseen for nearly a quarter century in rural Maryland is being moved to Denver. The collection, which local arts boosters had hoped to one day display in Baltimore, will be housed in its own building as part of a $100 million expansion of the Denver Museum of Art, said Denver Mayor John Hickenlooper. "We're not going to make this just another museum but a facility that will be worthy of the work that will be in it," Hickenlooper said yesterday.
NEWS
By Michael Kilian | September 12, 2003
CHANTILLY, Va. -- The B-29 Superfortress Enola Gay, the warplane that began the nuclear age with the first use of an atomic weapon on human beings, has been installed in a place of honor at the National Air and Space Museum's Udvar-Hazy Center here. It is the first time the airplane has been fully reassembled in 40 years. Eight years ago, another Smithsonian exhibit featuring a portion of the airplane was scrapped and the museum director resigned after a furor erupted over the museum's plans to use the exhibit to address the moral debate over atomic warfare.
NEWS
By Michael Kilian | July 11, 2002
WASHINGTON - Last spring, a visiting museum director from Scotland was rummaging through a storeroom of the Smithsonian Institution's Cooper-Hewitt collection in New York when he turned to a box full of lighting-fixture sketches by unknown Italian artists. One unsigned drawing of an enormous branched candelabrum, possibly a menorah, struck the visitor as special. Tuesday, the Smithsonian confirmed his judgment. According to an international panel of Renaissance art scholars, the drawing is the work of the great Italian sculptor and artist Michelangelo.