FEATURES
By Glenn McNatt | November 9, 1997
FOR AUDIENCES, master classes are a wonderful opportunity to hear polished performances and learn something about what goes into making them -- without ever having to practice scales and trills oneself.So I was delighted to attend a master class given at Peabody last week by world-renowned soprano Diana Soviero, who will sing the title role of Puccini's "Madama Butterfly" for the Baltimore Opera Company's production that opens Thursday.Soviero has sung "Butterfly" in all of the world's great opera houses.
NEWS
By Lisa Breslin and Lisa Breslin,SPECIAL TO THE SUN | September 13, 1999
STEPHEN GREENSTON, a principal dancer with the Stuttgart Ballet in Germany and a freelance choreographer, will share his talents with dancers in Carroll County this month, thanks to his long-time friendship with Patty Neivert, director of the Patty Neivert School of Dance.Greenston and Neivert were dance partners in the '70s and have stayed in touch since. When Neivert learned that her old friend would be in the United States to teach master classes at Goucher College, she called him and asked him to work with dancers in Westminster, too.Greenston agreed, and so for two hours on Sept.
NEWS
April 19, 1993
Alexander Peskanov, an internationally known pianist and founder of the Piano Olympics, will conduct an all-day master class for piano Saturday in Western Maryland College's Levine Recital Hall.The class, open to the public, will be held from 9 a.m. to 5 p.m. and will be limited to the first 80 participants. The cost is $15 for adults and $5 for students. It was originally scheduled for last month, but was postponed due to the blizzard.Mr. Peskanov has performed with orchestras in several U.S. cities and appeared on the PBS special, "Odessa on the Savannah -- The Music of Alexander Peskanov."
NEWS
By Jill Hudson Neal and Jill Hudson Neal,SUN STAFF | February 18, 1999
The master class is under way and Stephen Greenston roams through the small dance studio, his eyes intent on finding tiny flaws in the students' posture and technique."
ENTERTAINMENT
By Michael Pakenham | July 29, 2001
Can anyone become a better writer by taking a course or reading books on the craft of writing? I have no sure answer, though I believe not, not significantly anyway. A lifetime of writing and editing -- and six years of editing The Sun's books pages -- has left me convinced of two things about writers and writing. First is that there are entirely too many people doing too much of it, considering that a huge preponderance of what does get published is of no lasting merit. Second, that great writing comes from a mysterious font of personal genius, nourished by reading great literature and produced by almost unendurably hard work.
NEWS
By J. Wynn Rousuck and J. Wynn Rousuck,SUN THEATER CRITIC | June 2, 1996
NEW YORK -- Although the competition for best musical is the big news at tonight's Tony Awards, the nominees for best new play are also impressive, including work by three of America's top playwrights and one Brit.The real battle will be between August Wilson's "Seven Guitars" and Terrence McNally's "Master Class."The 1940s installment of Wilson's decade-by-decade chronicle of the African-American experience, "Seven Guitars" takes its title from its seven-member cast. The action is told mostly in flashback and focuses on Floyd Barton (Keith David)