FEATURES
By Eric Siegel | June 2, 1991
The third annual African-American Film Festival gets under way Thursday in the Baltimore Museum of Art's Meyerhoff Theatre with the screening of an American satire and a Senegalese adventure story."
TRAVEL
By LORI SEARS | March 19, 2006
Cherry Blossom Festival While tomorrow marks the first official day of spring, Saturday marks the true start of the season, as the Cherry Blossom Festival begins in Washington. The annual festival, which runs Saturday through April 9, commemorates the gift of 3,000 cherry trees from the people of Tokyo to the people of Washington in 1912. On opening day, visitors can take part in the National Cherry Blossom Festival Family Day and Opening Ceremony at the National Building Museum. Family day will feature various hands-on activities, demonstrations, performances and displays inside the museum's Great Hall.
ENTERTAINMENT
By Tim Smith, The Baltimore Sun | April 7, 2011
A family of five sets off on a snowy day in a Rambler with snow chains on the tires. While the kids in the back seat deal with petty concerns and car sickness, the parents reflect on the directions their lives are taking inside and outside of their marriage. All is far from calm and bright on "The Long Christmas Ride Home," Paula Vogel's remarkable play, which has been given a penetrating production from Single Carrot Theatre . No one in the car — the ride is vividly evoked in the simplest of means — has to ask, "Are we there yet?"
ENTERTAINMENT
By Stephanie Shapiro and Stephanie Shapiro,SUN STAFF | March 21, 1996
Hiroshi Teshigahara had not yet arrived, but his presence was keenly felt in the frigid bowels of the Kennedy Center, where last Monday, a platoon of volunteer art students, Japanese carpenters and free-lance stagehands scrubbed, sawed, split and planed four acres' worth of bamboo, hauled to Washington from Georgia in two tractor-trailers.When the artist, revered in his native Japan and known internationally for his rhythmically powerful sculptures, did arrive later that week, he and assistants would use the prepped bamboo to create two stunning tunnels and a bamboo pavilion in the Kennedy Center's atrium, based on elaborate blueprints completed in Tokyo.
FEATURES
By John Dorsey and John Dorsey,Sun Art Critic | November 11, 1990
Sitting on the studio floor, the sculpture's head alone is taller than and several times as wide as Yasuhiko Hashimoto, the Japanese sculptor standing beside it. And, while Mr. Hashimoto is so soft-spoken it's sometimes hard to hear him with the other sculptors chopping away in the background, the head looks as if, were it to speak, it would at least growl and probably roar.Fudo Myoh-oh is a fierce looking Buddhist god. Don't be afraid -- he's on our side against the demons -- but he's probably going to look even fiercer next Sunday, with his head attached to his body and the whole sculpture raised upright for the first time to its full height of 33 feet.
ENTERTAINMENT
By John Dorsey and John Dorsey,Art Critic | March 19, 1993
Those who saw Mineko Grimmer's elegant and mesmerizing "music boxes" at the Maryland Institute's recent "Hypnosis" exhibit may be surprised to learn that this Los Angeles artist is represented here again so soon, in a show at Goucher College called "Confluence: Art at the Intersection of Japanese and American Esthetics."Although Grimmer's one work at Goucher is in principle much the same as the two at the institute, it's on a larger scale and in a different context."Confluence" brings together two artists who have experienced both Japanese and American influences, Grimmer and Tom Nakashima, to see how the two countries' aesthetics can merge in individuals.