NEWS
By Michael Hoffman and Michael Hoffman,SUN STAFF | June 16, 2005
Yves Twagirayezu stood next to his 17-year-old brother and watched the Hutu soldiers behead him and throw him into a 30-foot-deep mass grave. The 11-year-old Tutsi boy knew he was next. He squirmed from the clutches of a Hutu soldier to jump in after his brother, followed by two other Tutsi boys standing at the rim of the pit. The Hutu soldiers, ordered not to waste bullets on the young prisoners, shoveled on dirt and rocks, figuring they would bury the boys alive. "I got scared and broke loose," Twagirayezu said.
FEATURES
By David Zurawik and David Zurawik,SUN TELEVISION CRITIC | March 19, 2005
How do you tell the story of 800,000 deaths in 100 days without making a movie too horrific to bear? That is the challenge director Raoul Peck faced in making the HBO film Sometimes in April, which chronicles the genocide that took place in Rwanda in 1994 as hard-line members of the Hutu majority slaughtered Tutsis and moderate Hutus. The blood bath lasted more than three months while the world looked on but offered little help. Peck, who scored a triumph with HBO's Lumumba in 2002, masterfully combines a visual style of harsh realism to communicate the horror, with an elegiac tone and poetic sensibility that seeks to redeem it. The result is an epic that stirs the soul with its story of the dignity and suffering of those who survived, even as it staggers the imagination with the catalog of brutality that they witnessed.
FEATURES
By Michael Sragow and Michael Sragow,SUN MOVIE CRITIC | January 14, 2005
It's not who you know or what you know or even how you use it, but whether you're willing to test it in a matter of life or death. That's the ultimate challenge for most people, yet the daily challenge for the hero of Hotel Rwanda, Terry George's enraging and enthralling fact-based movie about the Rwandan genocide of 1994. Paul Rusesabagina (Don Cheadle), who manages a four-star Kigali hotel, understands everyone and everything about his country except its capacity for evil. When he can't escape that evil he combats it with rationality.
FEATURES
By Michael Sragow and Michael Sragow,SUN MOVIE CRITIC | January 14, 2005
Writer-director Terry George, in Washington this past November to promote Hotel Rwanda, confessed that when he read co-writer Keir Pearson's initial script, he felt that the politics threatened to overwhelm the personal story. And how could they not? On April 6, 1994, the downing of Rwandan President Juvenal Habyarimana's plane on its approach to Kigali Airport triggered a genocide of unprecedented swiftness. Habyarimana was a Hutu, and the ruling, majority Hutu tribe blamed the Tutsis - even though the president had just agreed to share power with them.
ENTERTAINMENT
By Michael Sragow and Michael Sragow,Sun Movie Critic | January 9, 2005
Don Cheadle has been such a consummate chameleon that audiences may not recall how many times they've seen him. When they do see him, they may register his presence with a puzzled, then delighted double take. On TV in the mid-1990s, the now-40-year-old actor made his biggest splash as a comically earnest district attorney on David E. Kelley's quirky dramedy Picket Fences. In movies, he first generated worldwide buzz as Denzel Washington's homicidally jumpy friend, Mouse, in 1995's Devil in a Blue Dress -- a man so hard-wired with violence he could declare, with a straight face, "If you didn't want me to kill him, why did you leave me alone in a room with him?"
TOPIC
April 11, 2004
"The international community failed Rwanda, and that must leave us always with a sense of bitter regret and abiding sorrow." U.N. Secretary-General Kofi Annan Ten years ago last week the most rapid genocide in recorded modern history began in Rwanda, an obscure Central Africa state about the size of Maryland. In about 100 days, an estimated 800,000 ethnic Tutsis and their Hutu supporters were slaughtered, most often hacked to death by machete. While this massacre took place, the United States, the United Nations and most Europe did nothing to prevent or to stop the slaughter.