NEWS
January 11, 1995
"Alone in the Crowd," the Baltimore Museum of Art's exhibition of African-American prints from the 1930s and '40s, illustrates the value of government support of the arts. The show, which presents 104 works by 42 African-American artists, is a small part of the enormous body of work produced under the auspices of the federal Works Progress Administration, which subsidized the activities of thousands of American artists, writers and composers during the Great Depression.African-American artists represented a minuscule fraction of the total population of artists in the 1930s and 1940s.
FEATURES
By Stephen Wigler and Stephen Wigler,Music Critic | June 12, 1992
The Baltimore Symphony Orchestra is joining a growing chorus of American orchestras sounding a sour financial note.The BSO expects to run a deficit of about $800,000 this year, according to executive director John Gidwitz. That would be the orchestra's first shortfall since 1986, when it embarked on an acclaimed $40 million endowment campaign that, with the help of a six-year, $10 million state grant, was designed to prevent it from going in the red.Much of the BSO's deficit, which represents about 5 percent of the BSO's annual $17 million operating budget, is the result of reductions in anticipated government support, Mr. Gidwitz said yesterday.
FEATURES
By Eric Siegel | December 16, 1990
Islamic art show opening drew 1,900 to WaltersMore than 1,900 people attended the opening of "Islamic Art and Patronage: Selections from Kuwait" at the Walters Art Gallery last Sunday, the largest single-day attendance at the Walters since some 4,000 people attended the museum's Black History Day last Feb. 4.According to museum spokesman Richard Gorelick, an additional 2,000 people attended previews of the exhibit, which features more than 100 objects covering...
NEWS
By GARRY WILLS | May 9, 1995
Chicago. -- After a college lecture on government support for the arts, a man got up to say that such support would be nice if we could afford it, but that we must address necessities before we can indulge luxuries.Another questioner agreed that aesthetic education should be put in the school curriculum, but that supplying the capacity to appreciate art is enough; you do not need to supply the artifacts to be appreciated.A third man said that government's support for the arts skews the market, not letting us find out what people really want to see, or hear, or dance to. Why should the government supply what the popular support would not undertake?
BUSINESS
By Tom Steinert-Threlkeld and Tom Steinert-Threlkeld,Dallas Morning News | March 23, 1992
AUSTIN, Texas -- Since its inception in 1987, Sematech has been the model for an American partnership between government and industry to cultivate a technology that ultimately benefits the entire economy.Nearly five years later, support from both sides of that partnership is flagging.On the government side, the proposed Bush administration budget for the coming fiscal year cuts federal support for Sematech by 20 percent, from $100 million to $80 million.On the industry side, as many as three out of the 14 founding members may leave the Austin consortium aimed at restoring U.S. supremacy in the manufacturing of the key component of Information Age economies, the microchip.
NEWS
By Evan Weiner | December 8, 2002
MOUNT VERNON, N.Y. -- Peter Angelos got an early Christmas present from his 28 fellow owners. The Lords of Baseball have decided that San Juan, Puerto Rico, is a better place to stage some of the Montreal Expos "home" games than Washington, D.C., next year. But if Mr. Angelos thinks he has avoided getting competition in his back yard, he may be in for a surprise. Baseball could move the Expos to Washington in time for the 2004 season, and that's not only bad news for him but also for potential Washington fans because of how major-league sports is structured.