ENTERTAINMENT
By Michael Sragow and Michael Sragow,michael.sragow@baltsun.com | October 5, 2008
For anyone in America's fabled "movie generation" - men and women who were in college or just out of it when The Godfather came out in 1972 - Francis Ford Coppola's Mafia epic had the impact that Sgt. Pepper's Lonely Hearts Club Band had in music or The Electric Kool-Aid Acid Test had in prose. I spent half my lunchtime in my junior and senior years listening to budding actor Jack Gilpin (Something Wild, 21) do his impeccable imitation of Robert Duvall's Tom Hagen advising the Corleone crime family, "Right now we have the unions, we have the gambling; and they're the best things to have.
FEATURES
By Michael Sragow and Michael Sragow,Sun Movie Critic | January 21, 2008
Francis Ford Coppola doesn't just absorb the identities of his movies; he carries pieces of them with him as he goes on. He still resembles the Godfather of American moviemaking that he was after The Godfather (1972), except now he's executive-producing for his daughter Sofia or his son Roman, rather than George Lucas or Carroll Ballard (The Black Stallion). He has modulated the madness that he showed during the making of his runaway Vietnam epic Apocalypse Now (1979) into a fascination with extremes of consciousness and feeling.
ENTERTAINMENT
By Robert K. Elder and Robert K. Elder,CHICAGO TRIBUNE | September 21, 2003
I don't take `no' easily," says director Sofia Coppola, stopping mid-conversation in a Japanese restaurant. "I just keep asking until someone says `yes.' It's good for directing, but in real life it can be obnoxious." Real life, in this case, is finding someone to bring her a ginger ale. The first time this petite, whispery-voiced director asked for a refreshment, she stopped a restaurant staffer who didn't speak English very well. But no matter. While in Tokyo filming her sophomore effort Lost in Translation, starring Bill Murray and Ghost World's Scarlett Johansson, Coppola worked with a crew that mostly didn't speak English.
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By Michael Dresser | December 1, 1999
1997 Edizione Pennino Napa Valley Zinfandel ($32).Admittedly, this a a high price to pay for a California zinfandel. But the level of complexity is extraordinary. It is packed with powerful blackberry, blueberry and smoked earth flavors. A few hours of breathing does it enormous good, unleashing flavors of smoked meat and fresh sage. Most zinfandels don't age that well after release, but this could be an exception. It's a full wine that some red-wine lovers would love to find under the tree.
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By Chris Kaltenbach | July 22, 1997
One of the greatest films of all time gets an airing tonight and tomorrow night in two parts on USA.Francis Ford Coppola was pretty much an unknown when he was chosen to direct "The Godfather" (9 p.m.-11 p.m. both nights). So were stars Al Pacino, James Caan and Robert Duvall. And Marlon Brando, chosen to play Don Corleone, was a has-been. All that changed when the film became not only a critical favorite, but a box-office smash.Coppola's film presents the saga as not just the story of an American family, but of an American myth: Don Corleone as a Lear surrounded by men with guns.
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By Chris Kridler and Chris Kridler,SUN STAFF | August 9, 1996
Put "Jack" back in the box.Robin Williams, the ultimate clown, is unfunny and overbearing in this irritating fable about a boy who ages four times faster than his peers and thus looks like a 40-year-old when he's just 10.Director Francis Ford Coppola has undisputed classics to his credit, among them "The Godfather" and "Apocalypse Now." Rack "Jack" up with that dreadful short film about a little girl that Coppola plopped in the middle of "New York Stories.""Jack" begins with promise, when Jack's mom (Diane Lane)