NEWS
By Mary Johnson, For The Baltimore Sun | October 25, 2012
Ballet Theatre of Maryland opened its 35th season, and 10th with artistic director Dianna Cuatto at the helm, with the fireworks of a world-premiere ballet. Known for enchanting audiences with classic tales at Maryland Hall for the Creative Arts, Cuatto summoned new choreographic wizardry for her personal favorite, "The Dancing Princesses," a lesser-known Grimm fairy tale. Striving to deliver "a dramatic retelling in dance where I could create an amazing new secret world of magic," Cuatto achieved her goal and more.
CLASSIFIED
By Marie Marciano Gullard, Special to The Baltimore Sun | August 23, 2012
Ellicott City residents Rosario and Maria Di Marco never lost their desire to have a second home by the sea in Lewes, Del. To this day, the quiet resort town holds happy memories of summer vacations at Fort Miles near Cape Henlopen Park when their children were growing up. "Three years ago, while Googling for properties in the Lewes area, Rosario came across an abandoned home," Maria Di Marco recalled. "The house was in deplorable condition. The roof had caved in, snakes were hanging from the ceiling, and other creatures had decided to make it their home.
ENTERTAINMENT
By Dave Gilmore | June 1, 2012
"Dragon's Dogma" Xbox 360/PS3 Capcom Rating: 3 stars out of 4 “Dragon's Dogma” has the elements of everything you'd expect from an open-world action role-playing game with a fantasy setting. Even the box art smacks of a “Dungeons and Dragons” guide. Once you get inside “Dragon's Dogma,” you realize that it is unlike any fantasy RPG (or almost any) game you've played before. The key feature of “Dragon's Dogma” is the “pawn” system, a format that allows the player to create one “main pawn,” a character that follows you perpetually, and two other pawns that are sourced from an online database of other players' pawns.
ENTERTAINMENT
By Tim Smith, The Baltimore Sun | March 16, 2012
Fairy tales seem like so much fun until you start paying attention. All that violence and vengeance, the spookiness, illusion, deceit. "And ah, the woods," as Stephen Sondheim writes in his latest book. "The all-purpose symbol of the unconscious, the womb, the past, the dark place where we have our trials and emerge wiser or destroyed. " In one of his most imaginative contributions to the Broadway musical, Sondheim invites audiences to step "Into the Woods," where a mash-up of fairy tales, tribulations and discoveries await characters and audiences alike.
NEWS
June 28, 2011
The Supreme Court was right in ruling this week that video games, even ones that depict scenes of graphic violence, are protected speech under the First Amendment and that states can't pass laws restricting their sale to minors. The better approach is a voluntary rating system similar to the one that many video game manufacturers and sellers already have adopted, which is akin to the Motion Picture Association of America's ratings for violence and sexual content in movies. Yet, strongly as we support the constitutional principle at hand, we're troubled by the reasoning the court used to arrive at this conclusion.
ENTERTAINMENT
By Tim Smith, The Baltimore Sun | March 25, 2011
Before the hapless "Spider-Man: Turn Off the Dark" started doing its accident-prone thing in an endless run of preview performances, the record-holder for costliest Broadway show was "Shrek the Musical. " The latter's $25 million price tag in 2008 seems downright puny compared to the $65 million already caught in the web of that other thing, but at least "Shrek" doesn't seem to present any dangers to cast or audience — not even the danger of being bored. To be sure, this venture from DreamWorks Theatricals and Neal Street Productions doesn't pack quite the visual or comic punch of the 2001 DreamWorks animated movie that inspired it. Still, as the national touring production of "Shrek" currently at the Hippodrome makes plain, the musical provides a lot of good old-fashioned family entertainment, with cute (and crude)