FEATURES
By Stephen Wigler and Stephen Wigler,Sun Music Critic | October 12, 1991
One of the most interesting things about last night's Baltimore Symphony Orchestra concert was the opportunity to check on the progress of its associate conductor, Chosei Komatsu. This is the young man's fourth season with the orchestra, and his account of himself in works by Mendelssohn, Prokofiev and Chopin (the Piano Concerto No. 1 with soloist Hung-Kuan Chen) suggested real growth since the last time this listener heard him.Komatsu's most impressive work came in a suite arranged from Prokofiev's "Romeo and Juliet."
NEWS
By Alisa Samuels and Alisa Samuels,Sun Staff Writer Sun staff writer Howard Libit contributed to this article | November 22, 1994
The 80-piece Columbia Orchestra never followed the lead of a conductor like this. A pint-sized novice, Valerie Kuehne, 10, handled the baton like a veteran adult.The fifth-grader at Atholton Elementary School conducted the orchestra in its performance of Waldteufel's "The Skater's Waltz" at the orchestra's third annual Tiny Tots Concert Sunday afternoon at Wilde Lake Interfaith Center. The Linden Ballet Ensemble performed Prokofiev's "Peter and the Wolf.""I think it went very well," said Valerie, who said she had told all of her friends to attend.
FEATURES
By Stephen Wigler and Stephen Wigler,Sun Music Critic | March 4, 1991
One wouldn't think that being conductor of the Hopkin Symphony Orchestra -- a university/community orchestra on the Homewood campus of the Johns Hopkins University -- would be a big deal.After all, the orchestra is made up of 70 amateurs, rehearses about once a week and gives four concerts a year. But last spring when the HSO advertised for a new music director, it received more than 90 responses from all over the United States, Canada, Europe, Israel and the People's Republic of China.From those applicants, the orchestra's board asked for videotapes from 25 candidates and then selected five finalists and two alternates -- one of them is Eric Townell, the HSO's acting music director -- for interviews and auditions.
ENTERTAINMENT
By Stephen Wigler | September 12, 1996
A new era may begin at 8: 30 tonight at the Kennedy Center when Leonard Slatkin conducts his first concert as the National Symphony's new music director.Slatkin has long been considered one of the bright lights among American-born and -trained conductors. He's a great orchestra builder -- the evidence is the superb orchestra he created in St. Louis during his 17-year tenure there -- and he's the right man for the NSO, which has always been less than the sum of its excellent parts.Slatkin's right for Washington in at least one other respect: The orchestra of the nation's capital now has a music director who conducts the music of his native country with genuine flair -- something sure to be reflected by tonight's all-American program of works by Leonard Bernstein, Samuel Barber, Howard Hanson, David Baker and Duke Ellington.
NEWS
By Phil Greenfield and Phil Greenfield,Contributing writer | August 20, 1992
Arne Running, music director of the Swarthmore College Orchestra and former conductor of the Jenkintown Music School Chamber Orchestra, has been named music director of the Chesapeake Youth Symphony Orchestra.Running, 48, succeeds Karen Deal, the CYSO's founding conductor who recently became the assistant conductor of the Nashville Symphony.About to enter its third season, the CYSO, has quickly become one of the area's major musical organizations. The 60-member orchestra draws young musicians from Anne Arundel County, southern Maryland and the Eastern Shore.
FEATURES
By Stephen Wigler and Stephen Wigler,SUN MUSIC CRITIC | November 5, 1999
The featured conductor for last night's Baltimore Symphony subscription concert in Meyerhoff Hall was the celebrated Finnish conductor, Paavo Berglund. On a program that included Sibelius' "Pohjola's Daughter" and Franck's Symphony in D Minor, Berglund was scheduled to join pianist Alicia de Larrocha in a performance of Mozart's Piano Concerto No. 21 in C Major (K. 467).But the conductor had expected to accompany the Spanish pianist in Concerto No. 27. When he learned otherwise two weeks ago, he informed the orchestra's management that he did not have sufficient time to prepare Concerto No. 21.The day was saved by the orchestra's resident conductor, Daniel Hege, who stepped in to give de Larrocha a superb accompaniment in K. 467. The young conductor may very well have proved a better collaborator for the pianist than Berglund.