BUSINESS
By LESTER A. PICKER | August 8, 1994
Last year I reviewed a publication from the Amherst H. Wilder Foundation that dealt with what I believe will be a critical issue for nonprofits in the next decade -- collaboration. If nonprofits are to flourish, they will need to find innovative, creative solutions to intractable problems. That calls for strategic partnerships, in which each player adds targeted strengths to the equation.The Wilder Foundation's booklet was both thoughtful and comprehensive and reflected a commitment to high quality.
BUSINESS
By LESTER A. PICKER | July 5, 1993
(Second of 2 parts)Collaboration as a concept may be in, but in practice too many nonprofits stop short of true collaboration. Instead, they may cooperate or coordinate -- but that's far less of a commitment than collaborative ventures.A recent report on collaboration in the nonprofit sector, published by the Amherst H. Wilder Foundation of St. Paul, Minn., provides readers with a wealth of information. The report is a prelude to a forthcoming workbook on the same topic.The authors begin this concise report by first providing the reader with working definitions of cooperation, coordination and collaboration.
BUSINESS
By Mark Guidera and Mark Guidera,SUN STAFF | May 14, 1997
Human Genome Sciences Inc., the Rockville biotechnology company mapping genetic codes, yesterday reported a net loss of $12 million, or 62 cents per share, for the first quarter of 1997.By comparison, the company posted a profit of $4.28 million, or 22 cents per share, for the same period last year.Company executives attributed the difference to a sharp variance in the company's receipt of payments from research and development partners.During the first quarter ending March 31, Human Genome said it received $1.3 million in collaboration revenue.
ENTERTAINMENT
By Sarah Schaffer and Sarah Schaffer,SUN STAFF | December 4, 2003
Colorful installations and subdued drawings contrast in Territory/Ambiguity, on display at the Maryland Art Place. Artists Paul Bartow and Richard Metzgar's massive collaboration, a site installation called "Collection Intersection," is bright and busy. Panels of wood, many of which are coated with candy-colored paints, collide with upholstered furniture, industrial building materials and Plexiglas-encased ferric chloride drawings in a large work that fills two of the gallery's three rooms.
BUSINESS
By Michael Dresser and Michael Dresser,SUN STAFF | March 7, 2001
Leading lawmakers served notice to University System of Maryland officials yesterday that they expect it to form a top-level biosciences council to increase research collaboration among its member institutions. Del. Nancy K. Kopp and Sen. Robert R. Neall told Chancellor Donald N. Langenberg and the presidents of four of the institutions that they want the system to develop a comprehensive plan to make the best use of the state's biotechnology research. For the second straight week, the educators came to Annapolis to brief House Appropriations and Senate Budget and Taxation subcommittees on their cooperative efforts in biotech, considered a vital element in Maryland's future economic development.
FEATURES
By Linell Smith and Linell Smith,SUN STAFF | December 18, 2003
Early Monday morning, before other visitors arrive, artist Jo Smail introduces her students to the striking, often mysterious, results of artistic collaboration. They have gathered in the gallery at Evergreen House, another stop on Smail's own artistic journey. Her work is part of Conversations, a show which gathers the fruit of dozens of creative alliances between past and present faculty members of the Maryland Institute College of Art and artists outside that community. Some paintings grew from an exchange between a teacher and student, or between artists who are related to one another.