FEATURES
By Ann Hornaday and Ann Hornaday,Sun staff | November 15, 1998
"As Time Goes By," by Michael Walsh. Warner Books. 420 pages. $25. Casablanca," the World War II romance starring Humphrey Bogart and Ingrid Bergman that was released in 1942, is one of the most famous accidents in cinema history, a sublime collision of casting, chemistry, history, artistry and sheer luck that resulted in one of the most enduring pieces of celluloid of all time.But count on pop culture, with its insatiable Will to Commodify, to try and improve on serendipity. "Casablanca" has already been subjected to all manner of imitation, colorization, appropriation and exploitation.
ENTERTAINMENT
By Terry Lawson and Terry Lawson,KNIGHT RIDDER / TRIBUNE | August 14, 2003
Among the myriad mysteries of Casablanca are the specifics of the deal Rick Blaine makes with Laszlo to get the freedom fighter and his wife, Ilsa -- Rick's former lover -- out of French Morocco, thick with Nazis and collaborators. If you would just as soon not know, you can skip the deleted and alternate-scenes section of the essential new two-disc special edition of Casablanca (Warner, $26.95) -- but I'm betting you won't. Though true movie-lovers probably own one of the previous DVD versions of the 1942 drama that shows up on nearly anyone's list of the greatest movies ever made, few should resent shelling out again for this sterling upgrade.
FEATURES
By Tim Grieve and Tim Grieve,McClatchy News Service | April 30, 1992
SACRAMENTO -- "Casablanca" opened in 1942 to good -- but not great -- reviews.Reviewers around the country seemed to consider the film a pleasant enough piece of entertainment, but no great work of art -- a bit better than "Bill & Ted's Excellent Adventure," but not quite "Lawrence of Arabia."Here's what a few of them had to say:The New York Times: "Yes, the Warners here have a picture which makes the spine tingle and the heart take a leap. For once more, as in recent Bogart pictures, they have turned the incisive trick of draping a tender love story within the folds of a tight tropical frame.
FEATURES
By MIKE LITTWIN | April 8, 1994
As if we didn't have enough problems, they're now making a sequel to "Casablanca." Only the most absolutely perfect movie ever made.There are certain things you just don't mess with. The Bill of Rights. Cherry Garcia ice cream. Ellen Barkin's crooked smile.And, of course -- actually way, way beyond, of course -- "Casablanca."We're not discussing "Beethoven 3," folks. Or "Look Who's Talking, Still." This is art. Making a sequel to "Casablanca" is like painting the other moods of the Mona Lisa.
FEATURES
By Stephen Hunter and Stephen Hunter,Film Critic | April 8, 1992
It's still the same old story: Rick sends Ilsa away at the end because the problems of three little people don't amount to a hill of beans in this world.But "Casablanca" amounts to an Everest of beans.At 50, the classic Bogart-Bergman flick has become the dowager empress of American studio-system movies: It represents the Hollywood machine working at maximum efficiency, hitting on all cylinders, and yielding the rarest of icons, the unself-conscious masterpiece. Seeking merely to entertain, it became great art. And it never stopped entertaining.
FEATURES
By Lynn Williams | September 23, 1990
"For the waters," drawled Humphrey Bogart's Rick, when asked why he came to Casablanca. "But there are no waters in Casablanca," replied his interrogator. "I was misinformed," countered Bogart, with a mysterious smile.Asked why they are visiting Maryland's own Casablanca, visitors might well answer "for the waters." Since moving last spring from Daytona Beach, Fla., to Galesville, the 50-foot motor yacht has been taking customers for cool, leisurely cruises on the West River, past the picturesque Thomas Point lighthouse -- subject of hundreds of watercolors and millions of snapshots -- and onto the waters of the Chesapeake.