NEWS
By Cynthia Bournellis | June 12, 1999
HELENDALE, Calif. -- In the middle of the desert, by the Mojave River and the Santa Fe railroad, past meets present as people from all walks of life gather to honor a lost art form. The place is Exotic World. The art is burlesque.The Miss Exotic World Competition and StripTease Reunion, held annually on the first weekend in June, is an exercise in nostalgia and a chance to see some of burlesque's legends strut their stuff. It is also an opportunity to romanticize the past and deplore the present state of striptease.
NEWS
By George F. Will | October 29, 1998
WASHINGTON -- Don't judge a book by its cover. But begin judging Ron Rosenbaum's book by its brilliant dust jacket, which features an old, grainy black-and-white photograph of a cherubic infant, less than a year old, dressed in a white gown with a ruffled collar, staring at the camera with wide, dark eyes, his delicate lips slightly parted, a look of mild curiosity on his round face. How did this small bundle of potentialities become Adolf Hitler?In "Explaining Hitler: The Search for the Origins of His Evil," Mr. Rosenbaum, a novelist and literary journalist, takes readers on a mind-bending tour of "the garden of forking paths" in "the trackless realm of Hitler's inwardness."
NEWS
By Fred Rasmussen | June 7, 1998
Leaha Nova Rizzo, a former Block ecdysiast and costumer who was sometimes called "Baltimore's Betsy Ross of Pasties and Sequins," died Monday of Alzheimer's disease at Keswick Multi-Care Center in Roland Park. The Towson resident was 77.Mrs. Rizzo sang and danced on The Block during the "Guys 'n' Dolls" era of the 1930s and '40s under the stage name Leaha Scotti, billed as "The Blonde Bombshell."During World War II, she was a headliner and mainstay of the 2 O'Clock Club on Baltimore Street.
NEWS
By MICHAEL PAKENHAM | September 1, 1996
The wretched, wistful truth is that things really were better in the Good Old Days. They were, anyway, if you had vast advantages of access, mobility and the time and appetite to indulge them all, willy-nilly, helter-skelter, and got paid rather nicely for doing so.So went the years between 1948 and 1962 for Art Buchwald. His book about all that, "I'll Always Have Paris" (Putnam's. 236 pages. $24.95) is just coming out. It should delight almost everybody it does not offend. You have to be pathologically pompous or terminally earnest to be offended.
NEWS
By Charlotte Sommers | September 18, 1994
To say that a show about a striptease artist suffers from overexposure may seem odd.The hit 1959 musical "Gypsy," the fascinating story of burlesque queen Gypsy Rose Lee, made show business history. But after countless stage productions, a popular movie version and a recent television production starring Bette Midler, this show has been done to death.One would hope, then, that the Phoenix Festival Theater production playing at Harford Community College through next Sunday would offer some fresh perspective, updated choreography or perhaps some contemporary twist.
NEWS
By Richard O'Mara | January 16, 1994
The world-famous Block woke up yesterday with a monumental hangover from the massive police invasion of Friday night, and was left wondering whether it had a future.Said a man in a brown bomber jacket who parks cars at a lot just off Baltimore Street, and who declined to give his name: "The Block has changed. It used to be nice down here long time ago. No problems. Everybody go in the bars and have a nice time. Now we get a lot of muggings. It gets worse every year. Too much stuff going down."
NEWS
By Rafael Alvarez | February 2, 1993
It isn't right for Jean Honus to be all alone on Barney Street.The house is quiet; hours are long.And there's no action.Not like the days when men gave her diamond watches just because they liked the way she moved.When strangers by the hundreds whooped and hollered and whistled as she sashayed her knockout figure across a stage.Back when Jean Honus did the striptease on Baltimore's Block in the glory days of burlesque.The theaters and musicians, the bookies, the barkers, the wise guys, the prizefighters and the straight men, all gone.
NEWS
By Gilbert Sandler | March 30, 1993
IT SITS empty now, a dark cavern of movie memories, most of them from the '30s and '40s. The marquee, hanging over the sidewalk on the south side of 315 West Fayette St. just off Eutaw, still reads "Town." And for a classic showbiz memoir, there is no story quite like the Town story.What we came to know as the Town opened in 1910 as a burlesque house called the Empire. In 1913 the name was changed to the Palace and the fare to vaudeville, and here the plot thickens. Shortly after its rebirth, the Palace began to play burlesque again, and the rival Gayety (the remnants of which are still at 404 East Baltimore St.)
NEWS
By Rafael Alvarez | October 21, 1992
Stanley Livingston had something over the other 1960s child stars in Hollywood, an advantage that the kid who played Eddie Munster and the boy who raced across the tube as Dennis the Menace didn't have.The guy who played chubby Chip on "My Three Sons" from 1960 to 1972, Mr. Livingston had a family that hailed from Baltimore.Now 41, he thinks his local roots might have helped him remain as normal as a kid can be when you grow up on television."Mom wasn't a stage mother at all," said Mr. Livingston, whose younger brother Barry played "Ernie" on the show.
NEWS
By Rafael Alvarez | August 3, 1992
Famous TV siblings Chip and Ernie Douglas of "My Three Sons" are the real-life sons of a Baltimore Block stripper who performed during the Great Depression under the name Marilyn Primrose.This and other obscure and marvelous facts of Baltimore burlesque fill pages in the personal history of 81-year-old Bernard Livingston, lawyer, author, United Press International photographer, filmmaker, and favorite uncle of Stanley "Chip" Livingston and Barry "Ernie" Livingston."You got it," said Mr. Livingston, in Baltimore this past weekend to screen one of his documentaries in a film festival at the Orpheum Cinema on Thames Street.