NEWS
By Phil Greenfield and Phil Greenfield,SPECIAL TO THE SUN | October 29, 1998
Anyone who thinks drug-induced musical dreams are exclusive to 1960s rock-'n'-rollers doesn't know classical music very well.For sitting at the core of the symphonic repertoire is Hector Berlioz's immensely colorful "Symphonie Fantastique," the five-movement tale of a fixated lover and his opium-inspired dream gone bad.With its hair-raising "March to the Scaffold" and a phantasmagoric "Witches Sabbath" punctuated by the sounds of demons, sorcerers and...
NEWS
By Liz Atwood | June 8, 2008
Appointed artistic director and conductor of the Handel Choir of Baltimore in 2004, Melinda O'Neal has been praised for her "lucid and musical understanding of the score," "moving and satisfying interpretations" and her "stylish and clear manner on the podium." A Berlioz specialist and an aficionado of Mozart, O'Neal also is professor of music at Dartmouth College in Hanover, N.H., where she teaches courses in conducting and music theory. "To Kill a Mockingbird" by Harper Lee I appreciated the message of values of doing the right thing.
FEATURES
By Stephen Wigler and Stephen Wigler,SUN MUSIC CRITIC | November 8, 1997
The program that the Baltimore Symphony and music director David Zinman performed last night in Meyerhoff Hall is one of two with which they will tour Japan later this month.Michael Torke's "Bright Blue Music," Debussy's "La Mer" and Berlioz' "Symphonie Fantastique" are works that play to the strengths and experiences of this orchestra and conductor. Those strengths are an almost unshakable sense of rhythm, a finely tuned ensemble and a wind section that is more than equal to the demands of the Debussy and Berlioz works.
FEATURES
By Ernest F. Imhoff and Ernest F. Imhoff,Evening Sun Staff | November 9, 1990
THE FRENCH COMPOSER Berlioz was a Romantic, but not your shrinking violet kind. He sent his youthful, early "Eight Scenes of Faust" to Goethe, the creator of the great German poem and his inspiration. The attempt to curry favor with the aging master poet failed. A friend advised Goethe the Berlioz score was "a fragment of an abortion resulting from a hideous incest." The correspondence was doomed. Berlioz shelved the project.But not for good. Seventeen years later in 1846 a more experienced Berlioz used fragments and new material for "The Damnation of Faust," called it a "dramatic legend" but not an opera, and after a bad start sailed off with a masterpiece of Romantic flourish.
NEWS
By Phil Greenfield and Phil Greenfield,Contributing writer | March 6, 1992
"The French are the wittiest, the most charming and (up to the present at all events), the least musical people on earth," wrote Stendhalin "The Life of Rossini" in 1824.Boy, let's hope he was exaggerating, or that the trend subsided. If the good baron had it right, it's going to be a long weekend at Maryland Hall, where the Annapolis Symphony is about to present its fourth concert of the season, a program devoted to works by Saint Saens, Faure, Franck and Berlioz, Frenchmen all."They make a nice little group," says ASO conductor Gisele Ben-Dor, who will lead the performances tonight and tomorrow night, with a laugh.
FEATURES
By Stephen Wigler and Stephen Wigler,SUN MUSIC CRITIC | February 16, 1996
TC Here are two hard tasks for a guest conductor.Perform music much associated with an orchestra's current and previous music directors and produce something his own.Turn that piece, even if as familiar to the ear as a Hershey's to the palate, into something strange and wild.Mariss Jansons accomplished those tasks in Berlioz' "Symphonie Fantastique" with the Baltimore Symphony Orchestra in Meyerhoff Hall last night. The performance made one remember why it's called the "Fantastic Symphony."