FEATURES
By Tim Swift | May 15, 2008
So this much is for certain: A David will be the next American Idol. Last night, Florida actress Syesha Mercado was sent packing after striking out on her final two songs. The 21-year-old didn't do herself any favors with her choice of a hammy version of Peggy Lee's "Fever," but it was the Idol producers who supplied the death blow - a bizarre up-tempo number from the dancing penguin movie Happy Feet. Seriously. Her exit leaves sensitive Missouri rocker David Cook and wholesome wunderkind David Archuleta of Utah to battle it out in next week's glitzy season finale.
NEWS
By GREG BRAXTON and GREG BRAXTON,LOS ANGELES TIMES | May 21, 2006
She was already a big star, adored by millions. But when it was announced that she would make her Broadway debut this spring, the anticipatory buzz went through the roof. Ads with her name splashed in large, bold type popped up all over New York City. A mad scramble for tickets erupted. Fans squealed the moment she stepped on stage. Crowds mobbed her at the stage door, clamoring for autographs and pictures. And producers of the show rejoiced in their financial good fortune. But all this fuss isn't over Julia Roberts and her theatrical debut in Three Days of Rain.
FEATURES
By Tim Swift and Tim Swift,Sun Staff | April 12, 2007
Fatal Song Choice: "Turn the Beat Around" What Went Wrong: While her look said bold tigress (the animal print, the exposed bra strap, the trashy hair), her voice mewed like a kitten. Idol's pageant queen was simply overwhelmed by the syncopated pace of the song and the power of the band. To her credit, she tried her hardest to sell it -- but alas the American Idol stage has no stripper pole. Shining Moment: British Invasion week's song wasn't "Shake Your Moneymaker," but it sure felt like it. Her exuberant rendition of "Tell Him" had enough charisma to make up for what she lacked in vocal talent and, well, clothes.
FEATURES
By Rashod D. Ollison and Rashod D. Ollison,Sun Pop Music Critic | January 16, 2007
The metamorphosis, if you will, is fascinating to watch. During the past five seasons of American Idol, we've seen talented female vocalists -- awkward and unpolished -- blossom into confident, heavily styled contenders to pop divadom. Their voices soar and barrel through familiar fare: Motown, disco, even show tunes. Sure, Clay Aiken's transformation during Season 2, from jug-eared nerd to spiky-haired heartthrob, was amazing -- freakishly so. But the aesthetic evolution of the female Idol contestants is usually stunning and far more glamorous.
FEATURES
By Stephen Kiehl and Stephen Kiehl,SUN STAFF | May 11, 2004
When you watch the four finalists on American Idol sing and shimmy their way through tonight's episode, you may notice something missing from the show: testosterone. American Idol has a boy problem. This first became clear two months ago, when the show revealed the 12 finalists culled from a casting call of thousands. Eight were women, and they were fantastic - divas and Southern belles of the highest order, with the talent and looks of true idols. The other four finalists were men, and they were uniformly awful.
ENTERTAINMENT
By Jon Bream and Jon Bream,McClatchy/Tribune | January 4, 2007
MINNEAPOLIS -- Carrie Underwood has easily had the fastest, and most consistent, start of any American Idol winner. In a year and a half, she went from small-town girl finishing her college degree in journalism to having Billboard's No. 1 album of 2006 and being voted the Country Music Association (CMA) female vocalist of the year. Talk about meteoric rise. "It's one of those rare combinations where she can start with such a huge fan base and you have an absolutely great record," said Gregg Swedberg, program director of Twin Cities country station K102.