ENTERTAINMENT
By Roger Moore and Roger Moore,ORLANDO SENTINEL | October 16, 2003
We don't want to cross Lucy Liu. No sense getting her dander up. Even if she is on the phone, we've seen what she can do with martial arts in Payback and Charlie's Angels, with a gun in Ballistic and with a sword in Quentin Tarantino's new splatter-fest, Kill Bill. Heck, we've seen what she can do with just a growl in Ally McBeal. The wrong word, an impolite question, and she just might reach through that phone line and ... "I don't think of any of my characters as mean," she coos. "They're ... misunderstood.
FEATURES
By David Zurawik and David Zurawik,SUN TELEVISION CRITIC | October 21, 2002
Talk about nothing new under the sun in network television this season, wait until you see girls club, the David E. Kelley drama premiering tonight on Fox in the time slot formerly held by Ally McBeal. Gone from prime-time television is one young, self-absorbed attorney from a background of privilege - only to be replaced by three young, self-absorbed attorneys from backgrounds of privilege. I didn't think it possible, but I dislike this series even more than I did Ally McBeal. Instead of McBeal's Harvard, the three leading characters here went to Stanford Law School.
FEATURES
By Ellen Gray and Ellen Gray,KNIGHT RIDDER TRIBUNE | August 23, 2002
It's taken decades, but Hamilton Burger finally has his revenge. The district attorney who lost to Perry Mason week after hopeless week, year after excruciating year -- could, if he were alive today, see prosecutors celebrated by the same medium that once treated them like so many crash dummies, foils for flamboyant defense lawyers with right on their side. As Law & Order producer Dick Wolf is fond of reminding people, TV-watchers are seldom more than a click away from one of his cops-and-prosecutors shows.
FEATURES
By Cheryl Lu-Lien Tan and Cheryl Lu-Lien Tan,SUN STAFF | May 20, 2002
Like her fashionable counterparts on shows like Sex and the City and Friends, Ally McBeal was a single woman with a high-powered career whose quest for a man often seemed more important than her quest for a corner office. McBeal unabashedly pined after an ex-boyfriend married to a woman she worked with. She spent way too many episodes girlishly dreaming about finding a man. Her biological clock ticked so loudly it produced a phantom dancing baby. Above all, viewers watched McBeal whine and pout for five long years about finding the ever-elusive permanent love of her life.
ENTERTAINMENT
By Jim Farber and By Jim Farber,Knight Ridder / Tribune | April 28, 2002
Radio won't play him. He hasn't toured in support of his album. Yet neither factor stopped Josh Groban's debut record from pole-vaulting more than 100 places on Billboard magazine's latest Top 200 Album chart, quintupling its sales from the week before. How did he do it? The idiot box. A profile of the singer that aired on the magazine show 20 / 20 levitated enough Groban-enraptured couch potatoes into stores to push his self-titled platter to No. 12, the highest slot of its five-month life.
FEATURES
By David Zurawik and David Zurawik,SUN TELEVISION CRITIC | March 11, 2002
A funny thing happened to a new Fox drama called Emma Brody on the way to its premiere tonight. It was retitled The American Embassy, and became a red, white and blue series as much about America's place in the world as it was the coming-of-age story of a young embassy worker in London named Emma Brody (Arija Bareikis). The thing that happened was Sept. 11. And so, six months after the terrorist attacks, Fox premieres The American Embassy tonight at 9 in Ally McBeal's old spot. Any and all similarities to the earlier workplace-centered drama featuring a young, single, attractive, professional woman trying to find herself are purely intentional.