ENTERTAINMENT
By Tim Smith and Tim Smith,tim.smith@baltsun.com | June 25, 2009
The National Mall is being flooded with people taking part in what is billed as an annual "rite of cultural democracy" - the Smithsonian Folklife Festival. This year's rite promises such things as absorbing stories of the African-American experience, told by the likes of North Carolinian Mitchell G. Capel, aka "Gran'daddy Junebug;" the distinctive music of Mexico's La Huasteca region, performed by Los Camperos de Valles; and the dynamic sounds of Only Men Aloud, 20 guys from Wales who mix folk songs, hymns and Barbra Streisand showstoppers with aplomb.
NEWS
By Tyeesha Dixon and Tyeesha Dixon,tyeesha.dixon@baltsun.com | September 4, 2008
When retired teacher Wylene Burch started the Howard County Center of African American Culture in 1987, her vision was to preserve the stories of black county residents from the past and present. Now Burch, along with a team of staff members and volunteers, will continue to fulfill that mission with the renovation and reopening of the Columbia museum, which is made up of a library and thousands of donated artifacts from black families around the county. "Our main purpose is preserving the history of Howard County," said Burch, the museum's executive director.
NEWS
By GLENN MCNATT and GLENN MCNATT,SUN ART CRITIC | January 8, 2006
The familiar flag, the dancing black woman and the enigmatic, questioning title are among the first things one notices about Doris Colbert Kennedy's exuberant, politically conscious painting So, How's the Harvest?, on view at the James E. Lewis Museum at Morgan State University. The flag, which billows in a great half circle from the top left-hand corner of the canvas down the woman's body to fall on the grass at the bottom, lets us know the image has a didactic purpose. It is, first of all, the drapery of art and artifice, like the heavy scarlet curtains that frame a baroque Madonna, or the billowing tri-color banner in Delacroix's Liberty Leading the People.
NEWS
By Andrew A. Green and Andrew A. Green,SUN STAFF | June 26, 2005
Supporters looking to cement the standing of Baltimore's African American Heritage Festival as one of the region's premier summer events got the ultimate validation yesterday from Gloria Bartholomew: It's a big deal, she said, even by New York standards. The Brooklynite came down to Baltimore with her sister and brother-in-law so they could join her nephew, Walter Nanton of Chase, in what has become an annual rite for his family - sampling the food, hearing the music perusing the art and soaking up the history of their African-American and Afro-Caribbean heritage.
NEWS
By Chris Kaltenbach and Chris Kaltenbach,SUN STAFF | June 24, 2005
More than 350 years have passed since the first enslaved Africans, taken forcibly from their homelands and sold to people in a land thousands of miles away, set foot in Maryland. Beginning this weekend, their stories and the stories of their descendants - the men and women of African heritage who have lived, toiled, suffered, thrived and died in a land sometimes called the Free State - will be told in a gleaming new $34 million museum on the eastern edge of Baltimore's Inner Harbor. Named for a pioneering black businessman and philanthropist, the Reginald F. Lewis Museum of Maryland African American History and Culture, at 830 E. Pratt St., will open officially tomorrow.
NEWS
By Justin Fenton and Justin Fenton,SUN STAFF | February 27, 2004
At the conclusion of the noon Mass on Sunday at St. John the Evangelist Roman Catholic Church, the congregation clapped and sang through a rousing rendition of "This Little Light of Mine." People from various racial backgrounds were involved. "Not unusual for us," said the Rev. Richard H. Tillman, pastor of the Columbia parish. The Mass was celebrated by an African-American priest, - the Rev. Raymond Harris of Mount St. Mary's College in Emmitsburg, in honor of Black History Month, one of many cultural events the church has held in the past three years.