Shindig presents an eclectic rock festival in Pigtown


  • Lead singer J. Roddy Walston of J. Roddy Walston and The Business performs at the Shindig Festival on Saturday.
Lead singer J. Roddy Walston of J. Roddy Walston and The Business… (Kaitlin Newman / Baltimore…)
September 29, 2014|Jay Trucker | For The Baltimore Sun

In its second year at Pigtown’s Carroll Park, The Shindig Music Festival is a rock show in the broad tradition of the national festival movement that provides distinctly Baltimorean. A mix of local vendors like Little Havana and Mothers Grille flanked the sides of each stage alongside corporate vendors such as Jagermeister and Jack Daniels. Two opposing stages provided 11 hours of eclectic takes on rock music, and a lineup of bands that included several local acts alongside international touring groups. 

Rebel Inc.

Rebel Inc. was charged with getting early festival-goers going at the un-rock 'n' roll time of 12:30 p.m. It was a daunting task. The sun was peaking and the crowd was sparse, but the Baltimore-via-Detroit quartet channeled a headlining set’s worth of energy into 20 minutes. Rebel Inc. is a “protest rock” band in the vein of Rage Against the Machine. A small group of fans manned the barricade, and by the time singer Adam Armstrong joined the crowd to sing the set’s closer, the band had claimed several new followers.

Bad Seed Rising

Bad Seed Rising opened the Bird Stage, the larger of the two stages facing one another at opposing ends of the park. This band plays dirty, raw, hard rock. Lead singer Francheska Pastor, the elder stateswoman of the band at age 17, led the group through a fast-paced set of songs, a few of which were debuted live for the first time. On a day when more than one artist questioned the state of live rock festivals, Bad Seed Rising proved that not everyone under 25 prefers Macbook music to metal. 

Charm City Devils

A Baltimore band with national exposure, Charm City Devils played a blistering set that demonstrated their considerable talents. Though it was still early, the crowd at the Babe Stage had doubled and many in attendance were familiar with CCD’s selections. Those who didn’t seemed happy to join the fun as lead singer John Allen led the quintet through originals like new single “Shots” and a cover of the traditional folk tune “Man of Constant Sorrow.”  If the 1:30 afternoon set time was a bit early for some, Charm City Devils offered fans a second chance to catch them at the festival’s after-party at the Horseshoe Casino.

The Bots

The Bots, a duo from Los Angeles, were tasked with filling out a big stage with a minimal setup. Additionally, the Lei brothers were the first band of the day without local ties. Accordingly, the crowd looked on with curiosity as they laid down a 30-minute set of improvisational blues-based rock. 

Larry and His Flask

Another West Coast outfit, Larry and His Flask, fused rock and folk on the Babe Stage.  Apparently, the band was scheduled to play the inaugural Shindig Festival last year, but had to cancel because, as lead singer Ian Cook noted, “a whole bunch of [stuff] happened.” Whatever that stuff may have been, the crowd was welcoming as the band performed a 30-minute hootenanny that featured a stand-up bass, banjo and a bongo-based drumset. 

The Mahones

Shindig’s varied offerings were on full display as the bluegrass sounds of Larry and His Flask gave way to the Irish Canadian foursome The Mahones. The Mahones have been around for nearly a quarter of a century, and they offered classic four-on-the-floor UK punk. That said, it was harder to get near the bands playing the larger stage, and I took this opportunity to find some shade and grab a giant turkey leg, which I attempted to eat with only a single napkin.  Festivals like this one sometimes help fans discover skills they never knew they had.


Fishbone have been an alt-rock favorite since the days of MTV’s "120 Minutes." The ska-funk ensemble were the first band to play a 45-minute set, though curiously, the band started two minutes ahead of schedule. This might not sound like a big deal, but the open field setup and non-overlapping set times offered fans the chance to march back and forth between stages, and hearing two bands at once was a bit odd. Once they had the park to themselves, Fishbone put on a groove-heavy set that served as a highlight for fans with hula-hoops.


Memphis act Lucero mix country and punk to form an anthemic sound reminiscent of Social Distortion. The raspy vocals of singer Ben Nichols would easily blend into the mix at Warped Tour. At the Shindig, they stood out, though many fans on hand had their backs to them as they awaited the radio-friendly Halestorm.


Red Lion, Pa.'s Halestorm could have easily landed a later set time. The band has a slew of singles receiving heavy airplay on modern rock radio, and they won a Grammy for Hard Rock/Metal Performance in 2013. Lead singer Lzzy Hale channeled her formidable talent into a performance that ranged from throat-torturing shrieks to soaring pop flourishes. Curiously, three-quarters of the band took a five-minute breather mid-set. A less-than-thrilling drum solo ensued, temporarily grinding the buzzing crowd to a halt. Fists were pumping and all was forgiven when the full band returned to finish the show, but it’s not clear why roughly 10 percent of the band’s 50-minute set was squandered on an arena rock cliché.

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