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Architecture Review

Curing all of Bromo tower's physical ailments

June 01, 2008|By Edward Gunts , Sun architecture critic

With the fire safety problem solved, the tower's 15 office levels were converted to 33 studios in all -- two or three per floor, most containing roughly 145 to 220 square feet apiece. Designers saved space by putting bathrooms and break rooms on alternating floors, so they can be shared. The first two levels were left for a coffee shop, gallery, meeting space and office for superintendent Kristin Grey. The general contractor, Azola and Associates, saved as many original details as possible, from oak doors that were found up in the tower to bronze floor indicators and moving hands for the elevator, while adding a sprinkler system, backup generator and other mechanical upgrades. As a result, occupants and visitors can still get a good sense of what the building was like in Emerson's day.

The studios are small but attractive, with high ceilings. Large windows let in plenty of natural light and feature sweeping city views. What the studios lack in square footage, they make up for in privacy, since there are so few per floor. At the same time, tenants are only a stairway or elevator ride away from others in the building when they want company.

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And there's more to come: Twenty studios are still available for rent. The city would still like to find money to clean the brick exterior. There's talk of putting the Bromo Seltzer bottle back on top, perhaps in laser beams, if not in glass and metal.

But even without the bottle, this is one instance where city leaders have met their goals -- and then some. After six years of dormancy, Baltimore's quirky Bromo Seltzer Tower is back to life. And as intriguing as the activity may be in any given studio, the most unusual work of art is the building itself.

ed.gunts@baltsun.com

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