Cultural devastation in Kabul

SUN JOURNAL

Vandalism: Taliban zealotry has cost Afghans much of their art heritage.

April 07, 2002|By Douglas Birch | Douglas Birch,SUN FOREIGN STAFF

KABUL, Afghanistan - Nural Hak can't forget the February day a year ago when the pickup trucks with the tinted windows braked in the dust outside the Kabul Museum and young men piled out carrying AK-47s.

The building had been looted eight years earlier. Its walls were scorched by fire, pierced by bullets and rockets. All that was left were ancient sculptures, too heavy to haul away. Why had they come?

"They didn't tell us anything," recalls the 45-year-old Hak, who wears a sheepskin hat and flowing Afghan garments.

He didn't know it, but Hak was witnessing the start of an effort to obliterate Afghanistan's history.

When workers were slow to move, the nervous Taliban broke the locks on some of the doors. None of the staff was allowed inside, but they heard the sound of breaking stone. Using hammers and axes, the intruders were reducing millennia-old statues to gravel and dust.

"It was impossible to say anything to them," Hak says. "They would have killed us."

About the same time, the Taliban broke into a storeroom at the Ministry of Culture. As the staff watched, they smashed hundreds of smaller statues, figures and other artworks - anything that dared to depict humans, birds or other animate beings.

A few weeks later the Taliban would make headlines around the world when they used bombs and explosives to systematically destroy two colossal statues of Buddha carved into a mountainside in remote Bamiyan province.

But the earlier destruction of the museum's collection was the start of the cultural massacre.

A second-century statue depicting Prince Kanishka, a leader of the ancient Kushan civilization, stood just inside the museum entrance. Jim Williams, an expert on Central Asian art with the United Nations Educational, Scientific and Cultural Organization, or UNESCO, sat in his Kabul office pointing first to a photo of Kanishka's statue, and then of a pile of rock.

"This is one of the most famous statues in the world," he says. "And that is what is left."

Afghanistan's art is a banquet of cultures. For thousands of years, this arid country served as a crossroads for caravans plodding along the Silk Road. The road brought with it a succession of would-be conquerors who marched through the rocks of its mountains and the dust of its deserts.

The armies of Alexander the Great and Genghis Khan swept through here. Greek, Hindu and Buddhist societies rose and fell before the coming of Islam. As new cultures rose, they absorbed those that came before.

Afghanistan's ancient history was recorded in stone, ivory and clay. Over the past 20 years, much of that history was destroyed by warfare or lost through looting. When the Taliban seized most of the country six years ago, the lawlessness came to an end. But in their puritanical zeal, the Taliban went a step further. They deliberately set out to destroy their nation's last physical links to its past.

"They just wanted to wipe out the whole cultural heritage of the people of Afghanistan - everything we had," says Omar Sultan of Raleigh, N.C., an archaeologist with the museum who fled the country 24 years ago.

Sultan has returned here to serve in a $2.5 million United Nations-led effort to reclaim some of that heritage. In the next few months, UNESCO plans to build a restoration lab in the basement of the old museum, where experts will try to rebuild the smashed statues.

The agency is also trying to find and recover stolen art and, with the help of the interim government, stop the continuing looting of remote archaeological sites.

Aid officials hope that restoring Afghanistan's art treasures can help restore its identity as a nation and help it resist splintering into warring ethnic factions.

The Kabul Museum started as an exhibit of archaeological artifacts at a restaurant in Kabul in 1919. As archaeologists excavated sites around the country, the collection grew large enough to require a permanent home. The museum was built in 1932 in a new cultural district near a former royal palace.

Soviet troops, who invaded in 1979, killed tens of thousands of Afghans. But during its 10-year occupation, Moscow nurtured the country's cultural institutions. By 1989, the museum held more than 100,000 artifacts, including sculptures, rugs, coins, paintings, pots and jewelry. Some of the pieces were 5,000 years old.

"Our national museum was one of the richest in the world," says Omar Khan Massoudi, the museum's director.

Massoudi, the son of a farmer, is a historian trained at Kabul University who has worked for the museum for the past 23 years. He became assistant director in 1992, just as the fighting ignited between rival ethnic and religious factions of the mujahedeen over control of the city. Over the next three years, vicious urban warfare would level most of the neighborhood around the museum.

Baltimore Sun Articles
|
|
|
Please note the green-lined linked article text has been applied commercially without any involvement from our newsroom editors, reporters or any other editorial staff.