In a way, the Joffrey Ballet's coming run at the Kennedy Center shows the popular company, now based in Chicago, doing what it does best. It offers historic repertory rejuvenated and polished, spaced out with several of the pretty, unmemorable ballets known among dance critics as Arpini -- so called because artistic director Gerald Arpino used to turn out two or three of them a season, dependable, delightful, interchangeable.
So there you have the Joffrey's mixed rep program next week: "Parade" (1917), with Picasso's cubist design, Erik Satie's quirky music and choreography by Leonid Massine; and "L'Apres-midi d'un Faune" (1912), Nijinsky's scandalous solo, with its sensuous, perfumed score by Debussy. To fill out the program, two Arpini: "L'Air d'Esprit," a neoclassical ballet that looks, as its title suggests, weightless, and "Kettentanz" ("Chain Dance").



