FROM MICHELANGELO to Mapplethorpe, artists have been accused of taking nudity too far. But an art show opening today in Columbia has generated a debate about underexposure.
At the center of the controversy is a multi-media exhibition in the Columbia Mall that has upset some local artists and art experts because of a ban of the nude human form.
There is nothing shocking about the First Annual Visual Arts Competition of the Columbia Festival of the Arts -- except, perhaps, the idea of what was excluded.
"Nudes are a traditional form of artistic expression, just like landscapes," says John Connolly, professor of art history at the Maryland Institute, College of Art. "To single out one form of artistic expression that has been in the public domain for 6,000 years or more and to rule it out of an exhibition is absurd. It's unthinkable."
After deciding that any type of nudity might offend Columbia mall-goers, the show's organizers barred the category from the juried competition.
One of the judges, Ginny Tomlinson, president of the Tomlinson Craft Collection, says she has "mixed feelings" about the decision. "By these rules, the work of Michelangelo and Rodin would not be considered," says Tomlinson. "But [the organizers] have a right to say what they want and don't want in this show because this is a private space."
Some local artists say the content restrictions represent an over-reaction to last year's national debate about the limits of decency in government-funded art, even though this show involves no public funds.
Open to artists age 18 and over in the Mid-Atlantic region, the contest was sponsored by the Columbia Festival and the New Arts Alliance, a regional non-profit arts organization which coordinated the show.
The alliance asked the Rouse Company to exhibit the top work in the Columbia Mall. As a condition, the mall's management required a content restriction rule to be printed on the show prospectus, according to artist and show organizer Wendy Bush Hackney.
The restriction said:
"If you do work which explores human forms in the nude whether they are sexually explicit or not; which has obscene writings or images; that suggests the use of violent behavior; it will MOST LIKELY be unacceptable for the show.
"It is NOT THE QUALITY but the CONTENT of the work which will prevent its inclusion . . . If your work is deemed unacceptable by these standards, your entry fee will be refunded, as the jurors will not be viewing the work for critique."
The judges were Tomlinson, art consultant Richard Lambard and Bowie State University art professor Clark Mester.
A fourth judge, art scholar Eric Miller, resigned when he learned of the restriction. "I told Wendy that she was prejudging art and that if she was going to prejudge it, she didn't need me as a judge. It's as simple as that," says Miller, a Towson State professor emeritus.
Only two of the 183 submissions did not adhere strictly to the content restriction rules. Hackney gave the judges both "borderline" entries: One was a nude form almost obscured by shadow, the other was a mermaid. Neither is in the show.
"Maybe the mall is not an appropriate place for this kind of show," says Lynne Nemeth, managing director of the Columbia Festival of the Arts. "It occurred to me from a practical point of view that there would probably be some kind of [content] restrictions on the show. No, it didn't bother me."
The Columbia Festival of the Arts, in its third year, is highly regarded for its presentation of performing arts. This year's performances include flutist James Galway with the Baltimore Symphony Orchestra, Alvin Ailey Dance Theater and the Chamber Music Society of Lincoln Center.
The festival has been criticized, however, for lacking a visual arts program. Last fall Nemeth accepted Hackney's proposal to create a festival competition and exhibit its winners at the mall. Hackney says the mall was the only available spot near the festival site that was large enough to hold such a show.
She believes the exhibition is an important steppingstone. "We have a long way to go before the people in this community can understand and can look at art objectively," Hackney says. "They have to be introduced to it in a way that's safe for them."
Artist Jeff Gates, founder of Art/FBI, an organization to study and improve the public's perception of artists, questions Hackney's logic. In a letter protesting the show, he wrote:
"We need to educate the public about the nature of art, its ability to show beauty (human forms included) and its ability to question . . . Unfortunately, your decision to restrict subject matter perpetuates stereotypes of artists and the function of art, and consequently, has no educational value at all."
Lessons given by the human form are lessons about the human condition, says Connolly of the Maryland Institute. "The nude in the history of art is literally a reflection of the aspirations and the fears of humanity throughout the course of time," he says.